Monday, October 3, 2022
HomeCamera Tech5 Macro Frames on Film with the Minolta MC Marco Rokkor 3.5/100mm...

5 Macro Frames on Film with the Minolta MC Marco Rokkor 3.5/100mm – By Matthias Steck

Photo Logo Kit


The idea of trying to take macro shots on film came to me, when I was watching older illustrated books with all kinds of nature photography. I’m deeply impressed by what the nature image photographers in the 1970ies to 1990ies were able to take with the equipment of their era. I would never be able to do such wildlife photography with my analog equipment.

But trying some plant macros seemed possible.

Some years ago I got a well used Minolta MC Macro Rokkor 3.5/100mm with 1:1 extension tube which I mostly used adapted on my Sony A7II. I really like the  Minolta MC Macro Rokkor 3.5/100mm (a classic Planar-design with 5 Elements in 4 Groups) though it’s surprisingly large and very heavy for a 100mm f3.5 lens. Despite it’s size and weight this lens is a joy to handle with buttery smooth focus and very nice build quality. This lens is not such a good multi-purpose lens as some of the longer macro lenses of other manufacturers (like the Canon FD Macro 4/100mm or the Tokina AT-X 2.5/90mm) but stopped down at macro distance image quality is quite good. Bokeh at close distance is very nice and creamy even stopped down to f8 or f11.

Unlike on my digital cameras, where I often try to get along without a tripod even at close focus distance (image stabilization is a very handy feature), for all these shots I used a tripod and a cable release and for most of them also a Minolta angle finder. This is slowing down my workflow a lot and therefore I didn’t get a single decent insect image. I don’t understand how the old photographers 30 or 40 years ago got their insect macros.

Despite the slow process it’s a very pleasing experience to compose macro shots in the great bright viewfinders of my Minolta bodies. Doing macro shots, for me the view through these finders is a lot nicer than through the EVF of my digital cameras, where I have to use focus magnification to set proper focus.

I used my Minolta XD-7 with Kodak Ektar 100 and my Minolta SRT-101 with Kodak Ultramax 400. Ektar for me certainly is the film stock of choice for macro work, Ultramax is way too grainy. Using slide film (like Fuji Velvia)  could also give great results, I think, but I haven’t tried this yet.

All images made between June and August 2021.

000009

Yellow garlic (Allium moly) – Kodak Ultramax 400

000025

Black-eyed Susan vine (Thunbergia alata) – Kodak Ektar 100

000026

Drops of water on grass – Kodak Ektar 100 (surprisingly little color fringing here – this would be worse on digital)

000032

Cranesbill (Geranium wallichianum) – Kodak Ultramax 400 (some seconds earlier there had been a bee in this flower)

000034

As I really like to search for mushrooms, photograph mushrooms and eat mushrooms I had to do this detail shot of a chanterelle mushroom (Cantharellus cibarius), before eating it – Kodak Ektar 100

This spring I did almost no film photography at all, but I’m planing to do some more macro and close up work on film (perhaps I’m also going to try Silbersalz35 film for macro) and I hope I can speed up the process a little and finally get a nice insect (or spider or whatever small animal) shot on film like in those old illustrated books of nature photography.

The film was developed and scanned by MeinFilmLab.

For more photos (mostly digital) – flickr.com/steckmatthias

Contribute to 35mmc for an Ad-Free Experience

There are two ways to experience 35mmc without the adverts:

Paid Subscription – £2.99 per month and you’ll never see an advert again! (Free 3-day trial)
Subscribe here

Content contributor – become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.
Sign up here.



Read Original Article

RELATED ARTICLES

Most Popular

%d bloggers like this: