THE DIGITAL CAMERA: THE CAMERA BACK TO THE FUTURE

Defining the Digital Camera

The most basic definition of a digital camera is a device that takes photos without the usage of film. The digital camera, in contrast to the conventional camera, does not rely on mechanical or chemical processes to function. It is equipped with a built-in computer that stores the photos it captures in an electronic format when they are captured. It is even possible to own and operate one without requiring the usage of power.

Because the images captured by a digital camera are in electronic form, they are encoded in a language that computers can understand. Pixels are small colored dots represented by ones and zeros that make up the picture that you just snapped and are the building blocks of this language. In the same way that conventional cameras are equipped with a number of lenses, a digital camera is also equipped with a series of lenses that focus the light and generate the image that you wish to capture. The distinction is that a traditional camera focuses its light onto a film, whereas a digital camera focuses its light onto a semiconductor device, which then electronically records the light that was focused onto the device. Remember the built-in computer? It enters here and converts this information into digital data, which allows the digital camera to perform all of its functions as a result.

Another element of the digital camera is the presence of a sensor, which turns light into electrical charges when exposed to it. An image sensor such as a charge coupled device, sometimes known as a CCD, can be found in a digital camera. While other low-end digital cameras employ complementary metal oxide semiconductors, or CMOS, as their image sensors, it is possible that these devices will improve and become more well-known in the future; however, most engineers do not believe that they will be able to completely replace CCDs in higher-end digital cameras.

The CCD, which is made up of a cluster of small diodes, collects electrons when they are impacted by photons or light particles. Each diode or photosite is light sensitive, which means that the brighter the light, the greater the quantity of electrons gathered by the diodes or photosites.

The price of a digital camera has been steadily declining in recent years, with one of the primary causes being the advent of CMOS image sensors. CMOS sensors are less expensive and easier to manufacture than CCD sensors, and this has resulted in a decrease in the price of digital cameras. Initially, a CCD and a CMOS sensor function in the same way, by converting electrical charges associated with light into photosites. Simply expressed, assuming that a digital camera operates in this manner is equivalent to thinking that the millions of small solar cells, each of which contributes to the overall image, work in this manner. Both CCD and CMOS systems accomplish this duty in a somewhat different way.

When looking for the greatest digital camera, keep these important characteristics in mind.

Image quality is excellent. Examine the camera’s resolution to ensure that it is enough. You will be able to expand your photo without the grainy or out-of-focus effect that we all wish to avoid the higher the resolution of your camera is set to.

Lens. Select a digital camera with a higher digital zoom than the one you now have. It is possible to take pixels from the image sensor and merge them into a final image using the digital zoom feature of the camera’s lens.

Power. Always use rechargeable batteries over disposable batteries since they are more reliable and you will save money by not wasting as much money on disposable batteries.

Options. So that you can brag to your pals about how talented you are as a photographer or artist. Alternatively, select the one that provides the most alternatives that are tailored to your lifestyle, so that you never have to complain about not being able to capture the correct pictures again.

Memory. You should make sure that your camera has enough memory to store all of the bizarre, spooky, humorous, and just about any other type of shot you can think of before you start taking them. If you’re a photo enthusiast who takes pictures of just about everything, 512MB should plenty.

SanDisk 128GB Ultra SDXC UHS-I Memory Card – 100MB/s, C10, U1, Full HD, SD Card – SDSDUNR-128G-GN6IN

Interface with a computer. You don’t want to be rushing around the entire state or country seeking for a computer that’s compatible with your digital camera, do you?! You don’t want to be wasting your time looking for a computer that’s compatible with your digital camera.

Physical. If you’re going to be carrying it around with you all the time, opt for a compact and portable digital camera. Thus, it will not always feel as heavy and bulky as the cameras that professional photographers are constantly dragged around on their necks, as you may have noticed in the past. Why don’t they ever seem to get tired of it?!

The features listed above are just the fundamentals you should look for in a digital camera when shopping for one. A digital camera is so good that it is quickly replacing all conventional cameras on the market. With all of its technology and portability, the digital camera is truly the camera of the future, and it is the most advanced camera on the market.

NIKON DIGITAL CAMERA: DIGITAL SLR CAMERAS

Digital Cameras

Nikon Camera is a camera brand best known for producing Digital SLR cameras. As with the boom of digital cameras all over the world, Nikon joined the bandwagon by producing what they make best, thus the new era of the Nikon digital camera was born – digital SLR.

One of the best in DSLR, the Nikon DSLR camera is called the Nikon D70 which is a 6-mega pixel Nikon camera. Coated with polycarbonate over its stainless steel chassis, this Nikon DSLR camera is furnished with a 50mm AF Nikkor lens that can combine with an 18-70mm kit lens and still be portable enough to be carried around. It has a 200-1600 ISO effective speed range, great for taking pictures both in the shade and under the sun. and why won’t it be?! With its three frames per second continuous shooting rate and its 1/8000 second shutter speed, taking pictures is as easy as clicking away and having fun. this Nikon digital camera is supported with a Flash card.

Another SLR from Nikon is the Nikon Coolpix 8800. An 8-mega pixel digital camera, the Coolpix 8800 has a compact body. Furnished with a 1.8 inch flip-out and swivel LCD, this baby is surely first rate SLR. This Nikon digital camera features an image stabilizer system to reduce camera shakes particularly on long shots since this gadget can zoom up to 10x (optical zoom) and can focus to up to 3cm in macro mode with its 35-350mm lens. Key controls are very user-friendly, with modes such as sensitivity, image size/quality and white balance – found directly with the mode dial. The image output quality is the middle name of this Nikon DSLR camera, with great detail rendition, color fidelity and saturation. a rather exceptional feature of the 8800 is the continuous shooting modes, where users can choose 1.2 or 2.3 frames per second. A bit bulky to carry around, the 8800 is perfect for shooting action and sports shots. The 8800 works with a Compact Flash card for storing up your images.

Another digital SLR from Nikon is the Nikon D50. A 6.1 mega pixel Nikon digital camera, this gadget has 7 varied modes to shoot from using its AF-S DX Zoom Nikkor 18-55mm lens. These modes are Auto, Portrait, Landscape, Close Up, Sports, Night Portrait and Child. To see the images that you took, this Nikon DSLR camera is furnished with a 2.0 inch LCD screen. How fast can this camera shoot? It has 2.5 frames per second and with uninterrupted shooting of up to 137 frames per second. This Nikon digital camera is not too bad, especially for novice photographers. This package also includes a software for touching up, editing and sharing your pictures. The software even enables you to burn your images to VCD or DVD format.

50″ Lightweight Tripod for Nikon Coolpix 8800 5700 P7700 P7100 P7000 P5100 P5000 P500 P510 P520 P530 P600 P90 P340 L830 L820 L810 L320 L310 S9900 S6900 S3700 S7000 S33 AW130

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One of the first point and shoot Nikon cameras was the Nikon Coolpix 4800. A four mega pixel digital camera, the old school designed 4800 is equipped with a 1.8 inch LCD screen for viewing your pictures. The 4800 is an 8.3x zoom Nikon camera with 6-50mm Nikkor Ed lens that zooms quickly and has continuous auto focusing (a feature where your lens is always trying to keep your pictures sharp). It also allows users to shoot, record and playback short movie clips with its assist and excellent scene modes – meaning that includes providing outlines for portraits (for tweaking purposes), exposure and sensitivity settings. These features are very helpful especially for novice photographers that want to try their hands at photography. Along with that, it comes with a 13.5MB SD card and the Li-on battery pack.

Remember to check out Nikon’s website at www.nikon.com.sg or www.nikonusa.com to see the latest Nikon cameras.

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OLYMPUS DIGITAL CAMERA

Digital Cameras

OLYMPUS DIGITAL CAMERA – PROFESSIONAL CAMERAS GO DIGITAL

Olympus has always been known to produce quality cameras, either point and shoot or professional cameras. However, these days Olympus has joined the digital scene by producing their own line of digital cameras.

Olympus digital cameras were best known for producing DSLR cameras and there used to be several Olympus digital SLR cameras available, but there aren’t anymore. Olympus has not released a new digital SLR since 2010. These digital cameras are the kind that professional photographers use in their craft. Although this is for a fact, this company has also produced their own line of point and shoot Olympus digital cameras.

First up is an Olympus digital camera called the MJU-mini. A 4.0 mega pixel Olympus digital camera, it is cute, portable and can capture great pictures. Also, a tough Olympus digital camera, it is made with a metal frame and known for its solid weight – this is great because hands get too shaky when a camera is too light. With 2x digital zoom, a 5.8-11.6mm Olympus lens, this baby is your best bet for your personal Olympus digital camera.

Another personal Olympus digital camera is the MJU 500, obviously the higher version of the MJU-mini. the MJU 500 is a 5.0 mega pixel Olympus digital camera that is easy to use and one favored by consumers who are looking for a digital camera within this particular price range. (The MJU 500 is around $400-$500). The first notable feature of the MJU 500 is its large 2.5-inch HyperCrystal LCD screen. With its 160-degree wide view range, this large LCD screen enables its users to view subjects at extreme angles (though it does not feature the flip or rotate like other LCD screens from other digital cameras). Made from durable lightweight metal with rubber gaskets in its interior and weighing only 3.0 lbs., the MJU 500 is also weatherproof. Meaning that this Olympus digital camera can withstand a few splashes here and there. (Note: it is weatherproof and not waterproof, there is a big difference between the two – splashes and not water). The MJU 500 of the Olympus camera line, introduces an alternative design apart from the curvy MJU series with its new flat surface and smooth and round edges. It is so compact, with its 3.9 x 2.2 x 1.2 inches dimension, it can easily fit in your handbag or the back pocket of your pants (just be careful not to sit on it). This Olympus digital camera also features 23 shooting modes, one of which will enable its users to shoot in consecutive sequences and just choose the best one later. Another one of its many features is its ability to record and playback those videos and sounds. It has an expandable memory card slot, but when you buy the package, you would have to settle with temporarily with the 32MB xD card that comes with the package. this fashionable Olympus digital comes in two colors – silver and blue.

Another Olympus camera is the Olympus CaMedia C-70. It is also a small and compact digital camera but equips a 7.0 mega pixel camera that gives you power and portability at the same time. Packed with 5x optical zoom and, it start up fast and auto focus even quicker than most digital cameras in the market. It has a 2.0-inch LCD screen, a xD picture card slot and furnished with a 7.9-39.5mm Olympus lens that has 5x optical zoom. The CaMedia C-70 is the perfect choice for high quality shots, good features, great build and excellent portability.

Visit Olympus’ website at www.olympus.com to look for other Olympus digital cameras and other Olympus products available in the market.

SONY DIGITAL CAMERA

Digital Cameras

SONY DIGITAL CAMERA REVIEW

EMBRACING PERFECTION

Known for producing quality electronics, Sony is also one of the pioneers and the best producers of digital camera. Truly using a Sony digital camera is embracing perfection with its many features exclusive to a Sony camera.

Indeed, one of the best ways to capture your memories forever is thru photos and what better to do it than with a Sony camera. Photos are used to remember or when we reminisce of the wonderful times of our lives. And only vivid and detailed photos can help us bring back all those memories. And quality photos are exactly what a Sony camera offers to its consumers.

Equipped with the best optics and imaging technology available, the Sony camera line ensures its consumers that a Sony digital camera will only capture more detail, more color and more brightness imaginable.

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Every Sony digital camera has an exclusive Sony technology that enhances photo capturing experience. Armed with the Real Imaging Processor (RIMP), any Sony digital camera allows high digital processing that reduces picture noise and delivers smoother and more detailed images. The RIMP is an intelligent digital camera technology that allows faster shooting time, swifter burst shooting and almost simultaneous processing of your images (enables immediate display of your image) for your Sony camera.

All Sony digital cameras are furnished with Carl Zeiss lens. Carl Zeiss lenses are world renowned for their quality brilliance, outstanding accuracy of colors and enhanced definition with almost zero distortion. With a Carl Zeiss lens, flawless imaging is truly embracing perfection with a Sony digital camera.

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Sony Digital Camera – Sony Cyber-Shot

Sony has its own Cyber-shot line of digital camera for all photo fanatics out there. One of the lower ends of their Cyber-shot series of the Sony camera is the DSC-L1. The L1is a 4.1 mega pixel camera with a 3x optical zoom and plays MPEG Movie Vx. It is also supplied with a Vario Tessar lens from the Carl Zeiss line.

A higher version of the L1 is the Sony Cyber-shot DSC-P200. Almost same in all respect with the L1 expect this baby is a 7.2 mega pixel Sony digital camera.

For those who are serious in their craft, the right Sony camera for you id the Cyber-shot DSC-F828. Designed for professional photographers, the F828 has a 28-200mm equivalent of a Carl Zeiss Vario Sonnar lens, which makes it excellent for action and low-light shots. An 6 mega pixel Sony camera, it is outfitted with 7x optical zoom and a 1.8 inch LCD screen where you can review the pictures that you just took. The DSC F828 has a four color system that includes RGB+emrald colors and enables night shot/night framing system. The F828 even allows manual exposure, zoom and manual focus controls for your customization needs.

For the younger and trendier generation, the Sony Cyber-shot DSC-M1 is the right Sony camera for you. The M1 is a digital camera and a camcorder in one. It can record either up to five seconds MPEG 4 playback or unlimited video recording, depending on your preferred setting. Shooting with 30 frames per second, it is 5.1 mega pixel camera with a 640 x 480 maximum pixel resolution. It has 3x optical zoom and 2x digital zoom.

Very lightweight at only 6.5 oz. the M1 is very portable and is only 2×1.1×4.5 inches (dimensions). A USB 2.0 compatible and with PictBridge support, the M1 makes file transferring from your Sony camera to your computer as easy as taking pictures.

Sony Alpha ZV-E10 – APS-C Interchangeable Lens Mirrorless Vlog Camera – White

Available with accessories such as wrist strap, docking station and a 32MB memory Stick Duo, the M1 comes with an expansion slot that lets you upgrade up to 512MB of memory for further picture taking or video playback. It even has a built in features such as stereo surround, built-in mic and a 2.5inch TFT active matrix LCD display.

Check out Sony’s website at www.sony.com to look for other available Sony camera models that will fit you and your lifestyle.

UNDERWATER DIGITAL CAMERA

Digital Cameras

UNDERWATER DIGITAL CAMERA: CAPTURING MOMENTS UNDERWATER

Memories are created just about anywhere. And when I say anywhere, I mean that memories are even created underwater – so the creation of underwater digital camera.

An underwater digital camera is not just used to capture underwater memories; some professional marine photographers also use underwater digital cameras in their business. Even marine biologists and scientists use underwater digital cameras to capture marine life and thus be able to study the life and properties of the marine life. But I think it is safe to assume that you, my reader, are neither a marine scientist nor a professional photographer. Like me, you are just some photo junkie who wants to capture underwater moments and just cant figure out how without ruining your cameras.

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Please listen to me when I say that even waterproof cameras cannot withstand underwater photography. To be waterproof is to resist the water in certain levels, submerging in under the water to get the perfect shot is like throwing it out of the window expecting a pick-up truck to pass by and run over it.

Now if you’re really serious about using an underwater digital camera to capture those wacky and funny moments underwater, I suggest that you buy specialty cameras.

There are rarely underwater digital cameras, as cameras are electronic and cannot withstand water and water pressure. The closest electronics has ever got to producing underwater digital cameras are producing underwater casings for digital cameras. These casing will turn your conventional digital camera into an underwater digital camera.

If you are shooting with your underwater digital camera, you need to take note of a few things to help you come up with the best images underwater.

Remember that as you farther under water, light diffuses. This means that your underwater digital camera will produce images darker than those images you took while on land – this is because of the light diffusion the red spectrum seems darker. To avoid this, use white balance come up with natural colors. Also, pictures taken underwater will come up larger than pictures taken on land with the same zoom effect. Be sure to check your underwater digital camera’s viewfinder to check the right picture angle and size that you want.

An underwater digital camera with its built-in flash will produce marine show phenomenon. It is a phenomenon wherein your pictures come out as blurry and with white particles floating above it, to avoid this phenomenon it is advisable to use external flash for your underwater digital camera.

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Before using your underwater camera, submerge the camera in the water first for several seconds then check if there are leaks through the case. Make sure that no grain of sand or piece of hair is stuck in between the seal to make sure that water will not permeate the case and thus wet your camera in the process. It is also advisable to put silica gel or two inside the case of your underwater digital camera as long as they don’t disturb the camera’s operation. (Silica gel will keep the moisture from forming inside your camera case.)

Most underwater cameras come with optional lenses. Don’t be afraid to add these lenses to your underwater digital camera kit. Macro lenses will help you capture small things without getting too close and startling your subject.

Also, remember to always wash of salt when you’ve used it under salt water. If the salts are not washed off, in time they will crystallize; act as sands and cause leaks for your camera case. In cases when sands seem to get into the case, they are better washed off with streams of water.

Check out Sony, Nikon and Canon’s website for available underwater cases for your digital cameras.

Lumix GH5

Digital Cameras

A Quick Review and Specification for the Panasonic Lumix GH5

The Panasonic Lumix GH5 was launched back in March 2017, sporting a number of new features. The camera has the ability to shoot 4K video at 60 frames per second, making it one of the first high-end cameras that can do so. Furthermore, the GH5 is now able to shoot DCI 4K video at 24 frames per second for film professionals.

Shooting and sharing awesome video and photos is now easier than ever with the Panasonic Lumix GH5. This camera is a brand new addition to the Lumix series, promising high-quality pictures and videos, as well as excellent battery life. The GH5 includes a 20.3-megapixel sensor with an ISO range of 200 to 25600, as well as a magnesium alloy body that’s designed for tough weather conditions.

Although the GH5 does not record video in RAW format, you may get a comparable dynamic range by shooting in 4:2:2 10bit internally and utilizing the VLOG-L image profile. A Ninja, Assassin, or Odyssey recorder may be used to record in Apple Prores and receive the same level of versatility as RAW video. The lack of RAW capture is more than compensated for by the other excellent features. Acclaimed as the year’s finest camera for independent cinema.

Lumix GH5 Overview

Panasonic LUMIX GH5 4K Digital Camera
20.3 Megapixel Mirrorless Camera with Digital Live MOS Sensor
5-Axis Dual I.S. 2.0
4K 4:2:2 10-Bit Video
Full-Size HDMI Out
3.2-Inch LCD, DC-GH5

Lumix GH5 Conclusion

In conclusion, the Panasonic Lumix GH5 is a great option for anyone who wants a camera with professional features while still being lightweight and compact.

The new hybrid autofocus system is mostly effective, but not quite up to the standards of DSLR cameras. In addition, photographers on a budget will enjoy the cheaper price point.

In sum, the Panasonic Lumix GH5 is a great option for people who want professional features in a lightweight and compact package.

Buy a Lumix GH5 on Amazon Today

Panasonic Lumix GH5 Specifications

TYPE

Type

Digital Single Lens Mirrorless camera

Recording media

SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I / UHS-II UHS Speed Class 3 standard SDHC / SDXC Memory Cards)

Image sensor size

17.3 x 13.0 mm (in 4:3 aspect ratio)

Lens mount

Micro Four Thirds mount

IMAGE SENSOR

Type

Live MOS Sensor

Total pixels

21.77 Megapixels

Camera effective pixels

20.33 Megapixels

Color filter

Primary color filter

Dust reduction system

Supersonic wave filter

IMAGE STABILIZATION SYSTEM

Image stabilization system

Image sensor shift type (5-axis / 5-stop*), Dual I.S. (Dual I.S. 2 compatible)

* Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm), when H-FS12060 is used.

STILL IMAGE

Recording file format

JPEG (DCF, Exif 2.31), RAW

6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))

4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))

File size (Pixels)

4:03

5184×3888(L) / 3712×2784(M) / 2624×1968(S) / 4992×3744(6K PHOTO) / 3328×2496(4K PHOTO)

3:02

5184×3456(L) / 3712×2480(M) / 2624×1752(S) / 5184×3456(6K PHOTO) / 3504×2336(4K PHOTO)

16:09

5184×2920(L) / 3840×2160(M) / 1920×1080(S) / 3840×2160(4K PHOTO)

1:01

3888×3888(L) / 2784×2784(M) / 1968×1968(S) / 2880×2880(4K PHOTO)

MOTION PICTURE

Recording file format

MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately).

MP4: H.264/MPEG-4 AVC, H.265/HEVC (*6) (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch))

AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch)

System frequency

59.94Hz, 50.00Hz, 24.00Hz

Aspect ratio

4:3, 3:2, 16:9, 1:1

Image quality

RAW, RAW+Fine, RAW+Standard, Fine, Standard

Color space

sRGB, AdobeRGB

MOV (*1) (*2)

59.94Hz

[C4K] 4096×2160, 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[C4K] 4096×2160, 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[4K] 3840×2160, 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[4K] 3840×2160, 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[4K] 3840×2160, 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[4K] 3840×2160, 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[4K] 3840×2160, 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[Full HD] 1920×1080, 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 59.94p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[Full HD] 1920×1080, 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

[Full HD] 1920×1080, 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[Full HD] 1920×1080, 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

[Full HD] 1920×1080, 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

50.00Hz

[4K] 3840×2160, 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[4K] 3840×2160, 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[4K] 3840×2160, 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[Full HD] 1920×1080, 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

[Full HD] 1920×1080, 50.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[Full HD] 1920×1080, 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

[Full HD] 1920×1080, 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

24.00Hz

[C4K] 4096×2160, 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[C4K] 4096×2160, 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[4K] 3840×2160, 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[4K] 3840×2160, 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

[Full HD] 1920×1080, 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

[Full HD] 1920×1080, 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

[Full HD] 1920×1080, 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

MP4 (*2)

59.94Hz

[C4K] 4096×2160, 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[C4K] 4096×2160, 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[4K] 3840×2160, 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)

[4K] 3840×2160, 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[4K] 3840×2160, 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)

[4K] 3840×2160, 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[4K] 3840×2160, 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)

[4K] 3840×2160, 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) (*6)

[4K] 3840×2160, 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) (*6)

[Full HD] 1920×1080, 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[Full HD] 1920×1080, 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

[Full HD] 1920×1080, 59.94p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[Full HD] 1920×1080, 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

[Full HD] 1920×1080, 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[Full HD] 1920×1080, 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

[Full HD] 1920×1080, 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)

[Full HD] 1920×1080, 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC)

[Full HD] 1920×1080, 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (AAC)

50.00Hz

[4K] 3840×2160, 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)

[4K] 3840×2160, 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[4K] 3840×2160, 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)

[4K] 3840×2160, 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) (*6)

[Full HD] 1920×1080, 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[Full HD] 1920×1080, 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

[Full HD] 1920×1080, 50.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[Full HD] 1920×1080, 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

[Full HD] 1920×1080, 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)

[Full HD] 1920×1080, 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (AAC)

24.00Hz

[C4K] 4096×2160, 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[C4K] 4096×2160, 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[4K] 3840×2160, 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[4K] 3840×2160, 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

[Full HD] 1920×1080, 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

[Full HD] 1920×1080, 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

[Full HD] 1920×1080, 24.00p, 24Mbps (4:2:0 8-bit LongGOP) (AAC)

AVCHD Progressive / AVCHD (*2)

59.94Hz

[Full HD] 1920×1080, 59.94p, 28Mbps (LongGOP) (Dolby)

[Full HD] 1920×1080, 59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps)

[Full HD] 1920×1080, 59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps)

[Full HD] 1920×1080, 23.98p, 24Mbps (LongGOP) (Dolby)

50.00Hz

[Full HD] 1920×1080, 50.00p, 28Mbps (LongGOP) (Dolby)

[Full HD] 1920×1080, 50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps)

[Full HD] 1920×1080, 50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps)

Variable frame rate

59.94Hz

MOV/MP4(LPCM)/FHD/59.94p

2, 30, 56, 58, 60, 62, 64, 90, 120, 150, 180 fps

MOV/MP4(LPCM)/4K/29.97p, AVCHD/FHD/29.97p

2, 15, 26, 28, 30, 32, 34, 45, 60 fps

MOV/MP4(LPCM)/FHD/29.97p

2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, 105, 120, 135, 150, 165, 180 fps

MOV/MP4(LPCM)/4K/23.98p, AVCHD/FHD/23.98p

2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps

MOV/MP4(LPCM)/FHD/23.98p

2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180 fps

50.00Hz

MOV/MP4(LPCM)/FHD/50.00p

2, 25, 46, 48, 50, 52, 54, 75, 100, 150, 180 fps

MOV/MP4(LPCM)/4K/25.00p, AVCHD/FHD/25.00p

2, 12, 21, 23, 25, 27, 30, 37, 60 fps

MOV/MP4(LPCM)/FHD/25.00p

2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 87, 100, 125, 150, 175, 180 fps

24.00Hz

MOV/MP4(LPCM)/C4K/24.00p, MOV/MP4(LPCM)/4K/24.00p

2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps

MOV/MP4(LPCM)/FHD/24.00p

2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180 fps

High-Resolution Anamorphic mode, MP4 (4:3) (*2)

59.94Hz

4992×3744, 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) (*6)

4992×3744, 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) (*6)

50.00Hz

4992×3744, 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) (*6)

24.00Hz

4992×3744, 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) (*6)

Anamorphic 4K mode, MOV (4:3) (*1) (*2)

59.94Hz

3328×2496, 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

3328×2496, 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

3328×2496, 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

3328×2496, 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

3328×2496, 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

3328×2496, 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

3328×2496, 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

50.00Hz

3328×2496, 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

3328×2496, 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

3328×2496, 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

3328×2496, 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

24.00Hz

3328×2496, 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) (*6)

3328×2496, 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) (*5)

3328×2496, 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)

Anamorphic 4K mode, MP4 (4:3) (*1)

59.94Hz

3328×2496, 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)

3328×2496, 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

3328×2496, 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

3328×2496, 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

3328×2496, 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

3328×2496, 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

3328×2496, 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

50.00Hz

3328×2496, 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)

3328×2496, 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

3328×2496, 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

3328×2496, 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

24.00Hz

3328×2496, 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM) (*6)

3328×2496, 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) (*5)

3328×2496, 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (LPCM)

Continuous recordable time (Motion picture) (*2)

AVCHD [FHD/60p]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 150 min (LVF) with H-HSA12035 / H-FS12060

AVCHD [FHD/60i]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 160 min (LVF) with H-HSA12035 / H-FS12060

MP4 [4K/60p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060

MP4 [4K/30p]: Approx. 110 min (rear monitor), 110 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060

Actual recordable time (Motion picture) (*2)

AVCHD [FHD/60p]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 75 min (LVF) with H-HSA12035 / H-FS12060

AVCHD [FHD/60i]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 80 min (LVF) with H-HSA12035 / H-FS12060

MP4 [4K/60p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060

MP4 [4K/30p]: Approx. 55 min (rear monitor), 55 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060

WIRELESS

Wi-Fi

IEEE 802.11a/b/g/n/ac * 5GHz Wi-Fi is not available in some countries.

Bluetooth

Bluetooth® v4.2 (Bluetooth Low Energy (BLE))

QR Code Connection

Yes

Password-less connection

Yes (ON / OFF selectable)

VIEWFINDER

Type

OLED Live View Finder (3,680k dots)

Field of view

Approx. 100%

Magnification

Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-¹

Eye point

Approx. 21 mm from eyepiece lens

Diopter adjustment

-4.0 – +3.0 (dpt)

Eye sensor

Yes

Eye sensor adjustment

High / Low

REAR MONITOR

Type

TFT LCD monitor with static touch control

Monitor size

Free-angle 3.2-inch (8.0cm) / 3:2 aspect / Wide viewing angle

Pixels

Approx. 1,620k dots

Field of view

Approx. 100%Monitor adjustmentBrightness, Contrast, Saturation, Red-Green, Blue-YellowFOCUSTypeContrast AF systemDFD technologyYesPost FocusYesFocus StackingYesFocus modeAFS (Single) / AFF (Flexible) / AFC (Continuous) / MFAF modeFace/Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint(Full area touch is available) (Scalable AF frame size (by front/rear dial) and flexible AF position (by Joystick))AF detective rangeEV -4 – 18 (ISO100 equivalent)AF assist lampYesAF lockYes (AF/AE LOCK button)AF custom settingAF Sensitivity, AF Area Switching Sensitivity, Moving Object PredictionOthersOne Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch ShutterEXPOSURE CONTROLLight metering system1,728-zone multi-pattern sensing systemLight metering modeMultiple / Center Weighted / SpotMetering rangeEV0-18 （F2.0 lens, ISO100 equivalent)Exposure modeProgram AE, Aperture Priority AE, Shutter Priority AE, ManualISO sensitivity (Standard output sensitivity)Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step)Exposure compensation1/3 EV step ±5EV (±3EV for motion picture)AE lockYes (AF/AE LOCK button)WHITE BALANCEWhite balanceAWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4White balance adjustmentBlue/Amber bias, Magenta/Green biasColor temperature setting2500-10000K in 100KSHUTTERTypeFocal-plane shutterShutter speedStill image: Bulb (Max. 30 minutes), 1/8,000 – 60

Electronic first curtain shutter: Bulb (Max. 30 minutes), 1/2,000 – 60

Electronic shutter: 1/16,000 – 1

Motion picture: 59.94Hz: 1/16,000 – 1/30, 50.00Hz: 1/16,000 – 1/25, 23.98Hz: 1/16,000 – 1/24 (When using Synchro Scan)

Shutter life

Approx. 200,000 images

Self timer

10sec, 3 images / 2sec / 10sec

Remote control

Remote control with Bulb function by DMW-RSL1 (sold separately)

BRACKET

AE bracket

3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

Aperture Bracket

3, 5 or all positions in 1 EV step

Focus Bracket

1 to 999 images, focus steps can be set in 5 levels

White balance bracket

3 exposures in blue/amber axis or in magenta/green axis, color temperature setting

BURST SHOOTING

Burst speed

[Mechanical shutter]

AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)

AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)

[Electronic shutter]

AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)

AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View)

Number of recordable images

More than approx. 60 images (when there are RAW files with the particular speed)

More than approx. 600 images (when there are no RAW files)

(depending on memory card size, battery power, picture size, and compression)

6K PHOTO / 4K PHOTO (*2)

Burst speed

[6K PHOTO] 30 frames/sec

[4K PHOTO] 60 frames/sec, 30 frames/sec

Exif information

Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.)

Marking function

Yes (in 6K/4K Burst (S/S) mode)

Loop Rec function

Yes (in 6K (*6) /4K Burst (S/S) mode)

FLASH

Flash type

TTL External Flash (sold separately)

Flash mode

Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only.

Synchronization speed

Less than 1/250 second

Flash output adjustment

1/3EV step ±3EV

Flash synchronization

1st. Curtain Sync, 2nd Curtain Sync.

Synchronization for flash dimming and exposure compensation

Yes

Wireless control

Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

Flash sync socket

Yes

LIVE VIEW

Digital zoom

2x, 4x

Extra Tele Conversion

Still image: Max. 2x

4K PHOTO: 1.6x (4:3), 1.5x (3:2), 1.4x (16:9, 1:1)

Motion picture: 2.7x (FHD), 1.4x (4K)

Other functions

Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture)

DIRECTION DETECTION FUNCTION

Direction detection function

Yes

FUNCTION BUTTON

REC

Wi-Fi / Q.MENU / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / Operation Lock / Dial Operation Switch / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / AFS/AFF / Metering Mode / Burst Rate / 6K/4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / Post Focus / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / ON/OFF of each item in White Balance / ON/OFF of each item in Photo Style / AF Mode/MF / Rec/Playback Switch / Off / 4K Live Cropping / Motion Pic. Rec Format / Motion Pic. Rec Quality / Variable Frame Rate / Picture Mode in Rec. / Synchro Scan / Time Code Display / Mic. Directivity Adjust / Color Bars / WFM/Vector Scope / Focus Transition / LUT Monitor Display* / LUT HDMI Display* / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Restore to Default / Video Record (*6) / Destination Slot (*6) / Min. Shtr Speed (*6) / I.S. Lock (video) (*6) / Mic Level Adj. (*6) / HLG View Assist (HDMI) (*6) / Anamorphic Desqueeze Display (*6) / HLG View Assist (*6) / Video Guide Line (*6) / Constant Preview (*6) / Focus Ring Lock (*7) / E-Stabilization (Video) (*7) / Mic Rec Level Disp. (*7) / Live View Boost (*7) / Night Mode (*7)

*Upgrade Software Key DMW-SFU1 (sold separately) is required.

PLAY

Wi-Fi / LVF/Monitor Switch / Slot Change / 6K/4K Photo Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Print Set / Copy / Off / Restore to Default / Rec/Playback Switch (*6) / RAW Processing (*6) / 6K/4K PHOTO Bulk Saving (*6) / Anamorphic Desqueeze Display (*6) / HLG View Assist (*6) / HLG View Assist (HDMI) (*6) / LUT Monitor Display (*7)* / LUT HDMI Display (*7)* / Night Mode (*7)

*Upgrade Software Key DMW-SFU1 (sold separately) is required.

FILTER

Photo Style

Standard / Vivid / Natural / Monochrome / L. Monochrome / L. Monochrome D (*7) / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709 (*8) / Hybrid Log Gamma (*6)* / V-LogL (*8)**

*When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required.

Creative ControlExpressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine**For photos only. **Not available in 4:2:2 10-bit video or 4K video recording.

MOTION PICTURE FUNCTION

Creative Video mode

Program AE/ Aperture-Priority / Sutter-Priority / Manual Exposure

Master pedestal level

31 steps

Luminance level

8-bit: 0-255 / 16-235 / 16-255

10-bit: 0‒1023 / 64‒940 / 64‒1023

Wave form monitor / Vectorscope

Selectable

LUT display

LUT Monitor Display / LUT HDMI Display *Upgrade Software Key DMW-SFU1 (sold separately) is required.

Synchro scan

Yes

Time code

Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When system frequency [59.94Hz] is selected.)

SS/Gain operation

Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

Color bars / 1kHz test tone

Yes (SMPTE / EBU / ARIB) / Yes

Photo style for motion picture

Cinelike D / Cinelike V / Like709 (*8) / Hybrid Log Gamma (*6)* / V-LogL (*8)**

*When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required.

Knee control

Yes (in Like709 mode)

PLAYBACK

Playback mode

30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only), Protect, Rating, Title Edit, Face Recognition Edit, DPOF Print Set, RAW Processing, 6K/4K PHOTO Bulk Saving, 6K/4K PHOTO Noise Reduction, Light Composition, Clear Retouch, Text Stamp, Copy, Resize, Cropping, Rotate, Video Divide, Time Lapse Video, Stop Motion Video, Rotation Display, Anamorphic Desqueeze Display (*6), HLG View Assist (*6), LUT Monitor Display (*7), LUT HDMI Display (*7), Picture Sort, Delete Confirmation, Creating Still Pictures from a Motion Picture

Protection

Single / Multi or Cancel

Erase

Single / Multi / All / Except Favorite

Direct print

PictBridge compatible

INTERFACE

USB

USB Type-C, Super Speed USB3.1 GEN1

HDMI (*3)

Monitor-through

4:2:2 10-bit (When [Rec Quality] is set to [4:2:2 10bit] or when [Rec Quality] is set to [4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:2 10bit]. When [4K/60p]/[4K/50p] mode is selected in [Rec Quality], it is not possible to record motion picture or still picture on the SD memory card in the camera unit.)4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit], except for [4K 60p]/[4K/50p])

4:2:0 8bit (When [Rec Quality] is set to [4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:0 8bit].)

Auto / 4K/30p/25p / 1080p / 1080i / OFF

Information display ON/OFF (selectable)

Automatic down-conversion

HLG View Assist (HDMI) AUTO / MODE1 / MODE2 / OFF (selectable) (*6)

Playback

HDMI TypeA / VIERA Link, Audio: Stereo

59.94Hz: Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p

50.00Hz: Auto / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p

24.00Hz: Auto / C4K / 4K/24p / 1080p

Audio video output

Remote input

φ2.5mm for remote

External microphone input

φ3.5mm for external microphone

Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately).

Headphone output

φ3.5mm for headphone

Microphone

Stereo, Wind Noise Canceller: OFF / Low / Standard / High / AUTO

High-res audio recording

Yes with DMW-XLR1 (sold separately)

Speaker

Monaural

SD card slot

Slot 1, Slot 2

POWER

Battery

Li-ion Battery Pack (7.2V, 1860mAh, 14Wh) (included)

Battery life (CIPA standard)

Approx. 410 images (rear monitor), 400 images (LVF), 1,000 images (Power Save LVF mode*) with H-FS12060

Approx. 410 images (rear monitor), 390 images (LVF), 1,000 images (Power Save LVF mode*) with H-HSA12035

Approx. 400 images (rear monitor), 380 images (LVF), 1,000 images (Power Save LVF mode*) with H-ES12060

*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec.

Battery grip

DMW-BGGH5 (sold separately)

DIMENSIONS / WEIGHT

Dimensions (W x H x D)

138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions)

Weight

Approx. 725g / 1.60 lb (SD card, Battery, Body)

Approx. 645g / 1.42 lb (Body only)

Approx. 935g / 2.06 lb (SD card x 1, Battery, H-FS12060 lens included)

Approx. 1030g / 2.27 lb (SD card x 1, Battery, H-HSA12035 lens included)

Approx. 1045g / 2.30 lb (SD card x 1, Battery, H-ES12060 lens included)

OPERATING ENVIRONMENT

Operating temperature (*4)

-10°C to 40°C (14°F to 104°F)

Operating humidity

10%RH to 80％RH

STANDARD ACCESSORIES

Software

Recording

LUMIX Tether (*6)

・ This software is used to control a Panasonic digital camera from a PC. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.

http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)

Playback / Editing

・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet.

http://panasonic.jp/support/global/cs/soft/download/d_pfs10xe.html (For Windows)

・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory’s website using computer connected to the Internet.

http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)

Standard accessories

Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Flash Syncro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Shoulder Strap, Cable Holder, Lens Cap*, Lens Hood*, Lens Rear Cap* *Included with DC-GH5L kit, DC-GH5A kit and DC-GH5M kit.

NOTE

(*1) High-res audio is selectable only when using the DMW-XLR1 (sold separately).

(*2) About motion picture recording / 6K PHOTO/4K PHOTO recording

– Use a card with SD Speed Class with “Class 4” or higher when recording motion pictures in [AVCHD] or [MP4(under 28Mbps)].

– Use a card with SD Speed Class with “UHS-I / UHS-II UHS Speed Class 3 (U3)” when recording motion pictures with [MP4] in [4K], [MOV], [VFR] or [6K PHOTO/4K PHOTO].

(SD speed class is the speed standard regarding continuous writing.)

– Motion pictures with [MP4] in [4K]:

– When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately.

– When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately.

– Motion pictures with [MP4] in [FHD]:

– You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.

– 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx. 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

(*3) For [4K 60p] [4K 50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as”4K compatible”.

(*4) The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees.

(*5) Firmware must be updated to version 1.1 or later.

(*6) Firmware must be updated to version 2.0 or later.

– Video Speed Class 60 or higher is required for ALL-Intra 400Mbps recording. Use of SD Memory Card with Video Speed Class 60 or higher is recommended for 4K ALL-Intra video recording.

– Use of Panasonic SD Memory Card with Video Speed Class 90 is recommended for [Loop Rec] of [6K PHOTO].

・4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC.

The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player.

It may cause problems such as freezing when played on these devices.

(*7) Firmware must be updated to the latest version 2.3.

(*8) Firmware must be updated to the latest version 2.3. for shooting in modes other than Creative Video mode.

Nikon D5600 Review

Digital Cameras

A Quick Review and Specifications for the Nikon D5600

The Nikon D5600 launched January 2017. With the D5600, you can bring your ideas to reality. Its 24.2 effective megapixels, EXPEED 4 image processing engine, and ISO 100-25600 sensitivity range allow it to shoot vivid images, Full HD films, and time-lapse movies even in low-light conditions.

The Nikon D5600 has a 3.2-inch LCD screen that can be flipped out and will adjust the focus automatically when you touch it; this is all possible because of its vari-angle capacity. The vari-angle LCD panel and intuitive touch interface make it simple to find new points of view, which in turn inspires creativity. Designed for today’s connected world, the D5600 has built-in Bluetooth® and the Nikon SnapBridge app1 for automated picture uploading to your compatible smart devices2.

D-SLR photos could easily be shared online if they were saved to your smartphone or tablet as soon as they were taken. The SnapBridge software uses Bluetooth® to keep the D5600 connected to a compatible smart device so that photos may be automatically uploaded as you take them. Even if the camera is in a bag nearby, the picture transfer procedure is unaffected. By choosing the files in the app, you can easily transmit photographs and movies* via Wi-Fi®.

Nikon D5600 Review Conclusion

In conclusion, the Nikon D5600 is a fantastic camera for the amateur photographer.

The Nikon D5600 has many features like built-in wi-fi and Bluetooth that can be used to send images without cables or wires.
The Nikon D5600 is able to take high-quality photos, even in low light conditions with its 24.2MP APS-C CMOS sensor.

Buy a Nikon D5600 on Amazon here

Nikon D5600 1 2017 03 10 — Wikimedia Commons File:Nikon D5600 1 2017-03-13.jpg – Wikimedia Commons

Nikon D5600 1 2017 03 13 1 — Wikimedia Commons File:Nikon D5600 1 2017-03-13.jpg – Wikimedia Commons

Nikon D5600 Specifications

Type

Single-lens reflex digital camera

Lens mount

Nikon F mount (with AF contacts)

Effective angle of view

Nikon DX format; focal length equivalent to approx. 1.5x that of lenses with FX format angle of view

Image sensor format

Image sensor type

CMOS

Sensor size

23.5 mm x 15.6 mm

Total pixels

24.78 million

Dust-reduction system

Image sensor cleaning, Image Dust Off reference data (Capture NX-D software required)

Effective pixels

24.2 million

Image size (pixels)

(L) 6000 x 4000 (M) 4496 x 3000 (S) 2992 x 2000

File format

NEF (RAW): 12- or 14 bit, compressed JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats

Picture Control system

Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, Flat ; selected Picture Control can be modified; storage for custom Picture Controls

Media

SD, SDHC (UHS-I compliant), SDXC (UHS-I compliant)

Card slot

1 Secure Digital (SD) card

File system

DCF 2.0, Exif 2.3, PictBridge

Viewfinder

Eye-level pentamirror single-lens reflex viewfinder

Frame coverage

Approx. 95% horizontal and 95% vertical

Magnification

Approx. 0.82x (50 mm f/1.4 lens at infinity, –1.0 m(*1))

Eyepoint

17 mm (–1.0 m(*1); from center surface of viewfinder eyepiece lens)

Diopter adjustment

-1.7 to +0.5 m(*1)

Focusing screen

Type B BriteView Clear Matte Mark VII screen

Reflex mirror

Quick return

Lens aperture

Instant return, electronically controlled

Autofocus support

Autofocus is available with AF-S, AF-P, and AF-I lenses.

TypeElectronically-controlled vertical-travel focal-plane shutterSpeed1/4000 to 30 s in steps of 1/3 or 1/2 EV; Bulb; TimeFlash sync speedX= 1/200 s; synchronizes with shutter at 1/200 s or slowerModesS (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), Self-timer ; interval timer photography supportedFrame advance rateUp to 5 fps CL: Up to 3 fps CH: Up to 5 fps (JPEG and 12-bit NEF/RAW) or 4 fps (14-bit NEF/RAW) Note: Frame rates assume continuous-servo AF, manual or shutter-priority auto exposure, a shutter speed of 1/250 s or faster, Release selected for Custom Setting a1 (AF-C priority selection), and other settings at default values.

Self-timer2 s, 5 s, 10 s, 20 s; 1 to 9 exposuresMetering systemTTL exposure metering using 2016-pixel RGB sensorMetering methodMatrix metering: 3D color matrix metering II (type G, E, and D lenses); color matrix metering II (other CPU lenses) Center-weighted metering: Weight of 75% given to 8-mm circle in center of frame Spot metering: Meters 3.5-mm circle (about 2.5% of frame) centered on selected focus pointRange(ISO 100, f/1.4 lens, 20 °C/68 °F) Matrix or center-weighted metering: 0–20 EV Spot metering: 2–20 EVExposure meter couplingCPUModeAuto modes (auto; auto, flash off); programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M); scene modes (portrait; landscape; child; sports; close up; night portrait; night landscape; party/indoor; beach/snow; sunset; dusk/dawn; pet portrait; candlelight; blossom; autumn colors; food); special effects modes (night vision; super vivid; pop; photo illustration; toy camera effect; miniature effect; selective color; silhouette; high key; low key)Exposure compensationCan be adjusted by –5 to +5 EV in steps of 1/3 or 1/2 EV in P, S, A, M, SCENE, and night vision modesExposure lockLuminosity locked at detected value with AE-L/AF-L buttonISO sensitivity (Recommended Exposure Index)ISO 100 to 25600 in steps of 1/3 EV Auto ISO sensitivity control availableActive D-LightingAuto, Extra high, High, Normal, Low, OffAutofocus systemNikon Multi-CAM 4800DX autofocus sensor module with TTL phase detection, 39 focus points (including 9 cross-type sensors), and AF-assist illuminator (range approx. 0.5 to 3 m/1 ft 8 in. to 9 ft 10 in.)

Detection range

–1 to +19 EV (ISO 100, 20 °C/68 °F)

Lens servo

Single-servo AF (AF-S), Continuous-servo AF (AF-C), Auto AF-S/AF-C selection (AF-A) ; predictive focus tracking activated automatically according to subject status Manual focus (MF): Electronic rangefinder can be used

Focus point

39 Can be selected from 39 or 11 focus points

AF-area mode

Single-point AF, 9-, 21-, or 39- point dynamic-area AF, 3D-tracking, auto-area AF

Focus lock

Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button

Built-in flash

Auto, portrait, child, close up, night portrait, party/indoor, pet portrait, super vivid, pop, photo illustration, toy camera effect: Auto flash with auto pop-up P, S, A, M, food: Manual pop-up with button release

Guide number

Approx. 12/39, 12/39 with manual flash (m/ft, ISO 100, 20 °C/68 °F)

Control

TTL: i-TTL flash control using 2016-pixel RGB sensor is available with built-in flash; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering

Mode

Auto, auto with red-eye reduction, auto slow sync, auto slow sync with red-eye reduction, fill-flash, red-eye reduction, slow sync, slow sync with red-eye reduction, rear-curtain with slow sync, rear-curtain sync, off

Flash compensation

-3 to +1 EV in steps of 1/3 or 1/2 EV in P, S, A, M, and SCENE modes

Flash-ready indicator

Lights when built-in flash or optional flash unit is fully charged; blinks after flash is fired at full output

Accessory shoe

ISO 518 hot-shoe with sync and data contacts and safety lock

Nikon Creative Lighting System (CLS)

Nikon CLS supported

Sync terminal

AS-15 sync terminal adapter (available separately)

White balance

Auto, incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual, all except preset manual with fine-tuning.

Bracketing types

Exposure, White balance, ADL

Lens servo

• Autofocus (AF): Single-servo AF (AF-S); full-time-servo AF (AF-F) • Manual focus (MF)

AF-area mode

Face-priority AF, Wide-area AF, Normal-area AF, Subject-tracking AF

Autofocus

Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)

Automatic scene selection

Available in auto and auto flash off modes

Metering

TTL exposure metering using main image sensor

Metering method

Matrix

Frame size (pixels) and frame rate

1920 x 1080; 60p (progressive), 50p, 30p, 25p, 24p 1280 x 720; 60p, 50p Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; options support both high and normal image quality

File format

MOV

Video compression

H.264/MPEG-4 Advanced Video Coding

Audio recording format

Linear PCM

Audio recording device

Built-in or external stereo microphone; sensitivity adjustable

ISO sensitivity

ISO 100 to 25600

Other options

Time-lapse movies

Monitor size

8.1 cm ( 3.2 –in.) diagonal

Monitor type

TFT vari-angle LCD touch screen with 170 ° viewing angle, approx. 100% frame coverage, brightness adjustment, and eye-sensor controlled on/off

Monitor resolution

Approx. 1037 k-dot (720 x 480 x 3 = 1,036,800 dots)

Playback

Full-frame and thumbnail (4, 12, or 80 images or calendar) playback with playback zoom, playback zoom cropping, playback face zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, location data display, auto image rotation, picture rating, and image comment (up to 36 characters)

USB connector

Hi-Speed USB with Micro-USB connector; connection to built-in USB port is recommended

HDMI output connector

Type C HDMI connector

Audio input

Stereo mini-pin jack (3.5 mm diameter); supports optional ME-1 stereo microphones

Accessory terminal

Wireless remote controllers: WR-1, WR-R10 (available separately) Remote cords: MC-DC2 (available separately) GPS units: GP-1/GP-1A (available separately)

Standards

IEEE 802.11b, IEEE 802.11g

Operating frequency

2412 to 2462 MHz (channels 1 to 11)

Security

Authentication: Open system, WPA2-PSK

Operation

NFC Forum Type 3 Tag

Communication protocols

Bluetooth Specification Version 4.1

Range (line of sight)

Approximately 10 m (32 ft) without interference; range may vary with signal strength and presence or absence of obstacles

Supported languages

Arabic, Bengali, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, Vietnamese

Battery

One EN-EL14a rechargeable Li-ion battery

AC adapter

EH-5b AC adapter; requires EP-5A power connector (available separately)

Tripod socket

1/4–in. (ISO 1222)

Dimensions (W x H x D)

Approx. 124 x 97 x 70 mm ( 4.9 x 3.9 x 2.8 in.)

Weight

Approx. 465 g ( 1 lb 0.4 oz ) with battery and memory card but without body cap; approx. 415 g/14.7 oz (camera body only)

Operating environment

Temperature: 0 °C to 40 °C (+32 °F to 104 °F) Humidity: 85% or less (no condensation)

Supplied accessories

DK-25 rubber eyecup, BF-1B body cap, EN-EL14a rechargeable Li-ion battery (with terminal cover), AN-DC3 strap, MH-24 battery charger (plug adapter supplied in countries or regions where required; shape depends on country of sale)

1. Unless otherwise stated, all measurements are performed in conformity with Camera and Imaging Products Association (CIPA) standards or guidelines. All figures are for a camera with a fully-charged battery. Nikon reserves the right to change the appearance and specifications of the hardware and software described in these specifications at any time and without prior notice. Nikon will not be held liable for damages that may result from any mistakes that these specifications may contain.

Buy the Nikon D5600 on Amazon here

Canon EOS 70D

Digital Cameras

A quick Review and Specification for the Canon EOS 70D

Camera manufacturer Canon unveiled back in 2013 the EOS 70D, which had a groundbreaking focusing technique that unlocks the potential of Live View: Dual Pixel CMOS AF. This is the first DSLR camera to have this technology.

The EOS 70D’s Live View video captures smooth and accurate focusing like that of a camcorder, with the exceptional picture quality that is a trademark of EOS cameras. As a result, the Vari-angle Touch Screen 3.0-inch Clear View LCD display II’s Vari-angle Touch Screen enables you to take full use of the flexibility of angle provided by Dual Pixel CMOS AF during Live View still picture recording.

Can you Live without Live View?

With the two real-world options of Live View and viewfinder shooting, the compositional possibilities are now practically unlimited. EOS 70D’s new Dual Pixel CMOS AF is compatible with over 103 of the company’s most popular EF lenses, which dramatically enhances photographers’ creative options.

The Camera Connect app*

The Camera Connect app* and built-in wireless technology* expand shooting options and make it even easier to share photos and videos. A first for an EOS camera with an APS-C sensor, the EOS 70D’s 20.2 Megapixel CMOS (APS-C) sensor produces stunning images. As a result of the strong DIGIC 5+ Image Processor, the camera can shoot at 7.0 frames per second and has an increased ISO range of 100–12800 (H: 25600).

Accuracy

The impressive 19-point all-cross-type AF system, which has a high accuracy dual cross f/2.8 center point and sophisticated display settings on the Intelligent Viewfinder, may be used to take stunning photographs.

Handheld Night Scene, HDR, and other real-time in-camera photography technologies like HDR and HDR Backlight Control make it easy to create stunning photographs with basic settings like a single exposure.

The EOS 70D with Dual Pixel CMOS AF puts the power of creative expression at your fingertips, allowing you to take stunning stills and stunning video.

Buy the Canon EOS 70 on Amazon

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Canon EOS 70D Specifications

Type	Type	Digital, single-lens reflex, AF/AE camera with built-in flash
Recording media	SD memory card, SDHC memory card, SDXC memory card
* UHS-I cards compatible.
Image sensor size	Approx. 22.5 x 15.0mm
Compatible lenses	Canon EF lenses (including EF-S lenses)
* Excluding EF-M lenses
(35mm-equivalent focal length is approx. 1.6 times the lens focal length)Lens mountCanon EF mountImage SensorTypeCMOS sensorEffective pixelsApprox. 20.20 megapixelsAspect ratio3:2Dust delete featureAuto, Manual, Dust Delete Data appendingRecording SystemRecording formatDesign rule for Camera File System (DCF) 2.0Image typeJPEG, RAW (14-bit Canon original)RAW+JPEG simultaneous recording possibleRecorded pixelsL (Large): Approx. 20.00 megapixels (5472 x 3648)
M (Medium): Approx. 8.90 megapixels (3648 x 2432)
S1 (Small 1) : Approx. 5.0 megapixels (2736 x 1824)
S2 (Small 2): Approx. 2.50 megapixels (1920 x 1280)
S3 (Small 3): Approx. 350,000 pixels (720 x 480)
RAW: Approx. 20.0 megapixels (5472 x 3648)
M-RAW: Approx. 11.0 megapixels (4104 x 2736)
S-RAW: Approx. 5.0 megapixels (2736 x 1824)
Create/select a folder	Possible
File numbering	Continuous, Auto reset, Manual reset
Image Processing During Shooting	Picture Style	Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1 – 3
White balance	Auto, Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom, Color temperature setting (approx. 2500-10000 K), White balance correction, and White balance bracketing possible
* Flash color temperature information transmission enabled
Noise reduction	Applicable to long exposures and high ISO speed shots
Automatic image brightness correction	Auto Lighting Optimizer
Highlight tone priority	Provided
Lens aberration correction	Peripheral illumination correction, Chromatic aberration correction
Viewfinder	Type	Eye-level pentaprism
Coverage	Vertical/Horizontal approx. 98% (with Eye point approx. 22mm)
Magnification	Approx. 0.95x (-1 m–1with 50mm lens at infinity)
Eye point	Approx. 22mm (from eyepiece lens center at -1 m–1)
Built-in dioptric adjustment	Approx. -3.0 – +1.0 m-1 (dpt)
Focusing screen	Fixed
Grid display	Provided
Electronic level	Displayable before and during shooting
Mirror	Quick-return type
Depth-of-field preview	Provided
Autofocus	Type	TTL secondary image-registration, phase-difference detection with the dedicated AF sensor
AF points	19 (All cross-type focusing*)
* Except with certain lenses.
Focusing brightness range	EV -0.5 – 18 (with center AF point, at room temperature, ISO 100)
Focus operation	One-Shot AF, AI Servo AF, AI Focus AF, Manual focusing (MF)
AF area selection mode	Single-point AF (Manual selection), Zone AF (Manual zone selection), 19-point automatic selection AF
AI Servo AF characteristics	Tracking sensitivity, Acceleration/deceleration tracking
AF fine adjustment	AF Microadjustment (All lenses by same amount or Adjust by lens)
AF-assist beam	Small series of flashes fired by built-in flash
Exposure Control	Metering modes	63-zone TTL full-aperture metering
・Evaluative metering (linked to all AF points)
・Partial metering (approx. 7.7% of viewfinder at center)
・Spot metering (approx. 3.0% of viewfinder at center)
・Center-weighted average metering
Metering brightness range	EV 1 – 20 (at room temperature, ISO 100)
Exposure control	Program AE (Scene Intelligent Auto, Flash Off, Creative Auto, Special scene [Portrait, Landscape, Close-up, Sports, Night Portrait, Handheld Night Scene, HDR Backlight Control], Program), Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb exposureISO speed (Recommended exposure index)Basic Zone modes: ISO 100 – ISO 6400 set automatically Landscape: ISO 100 – ISO 1600 set automatically, Handheld Night Scene: ISO 100 – ISO 12800 set automaticallyP, Tv, Av, M, B: Auto ISO, ISO 100 – ISO 12800 (in 1/3- or whole-stop increments), or ISO expansion to H (equivalent to ISO 25600)ISO speed settingsISO speed range, Auto ISO range, and Auto ISO minimum shutter speed settableExposure compensationManual: ±5 stops in 1/3- or 1/2-stop incrementsAEB: ±3 stops in 1/3- or 1/2-stop increments (can be combined with manual exposure compensation)AE lockAuto: Applied in One-Shot AF mode with evaluative metering when focus is achievedManual: By AE lock buttonHDR ShootingDynamic range adjustmentAuto, ±1 EV, ±2 EV, ±3 EVAuto image alignPossibleMultiple ExposuresNumber of multiple exposures2 to 9 exposuresMultiple-exposure controlAdditive, AverageShutterTypeElectronically-controlled, focal-plane shutterShutter speeds1/8000 sec. to 30 sec. (total shutter speed range; available range varies by shooting mode), Bulb, X-sync at 1/250 sec.
Drive System	Drive modes	Single shooting, High-speed continuous shooting, Lowspeed continuous shooting, Silent single shooting, Silent continuous shooting, 10-sec. self-timer/remote control, 2-sec. self-timer/remote control
Continuous shooting speed	High-speed continuous shooting: Max. approx. 7.0 shots/sec.
Low-speed continuous shooting : Max. approx. 3.0 shots/sec.
Silent continuous shooting : Max. approx. 3.0 shots/sec.
Max. burst	JPEG Large/Fine: Approx. 40 shots (approx. 65 shots)
RAW: Approx. 15 shots (approx. 16 shots)
RAW+JPEG Large/Fine: Approx. 8 shots (approx. 8 shots)* Figures are based on Canon’s testing standards (ISO 100 and Standard Picture Style) and an 8 GB card.
* Figures in parentheses apply to an UHS-I compatible 8 GB card based on Canon’s testing standards.
Flash	Built-in flash	Retractable, auto pop-up flash
Guide No.: Approx.12/39.4 (ISO 100, in meters/feet)
Flash coverage: Approx. 17mm lens angle of view
Recycling time approx. 3 sec.
External Speedlite	Compatible with EX-series Speedlites
Flash metering	E-TTL II autoflash
Flash exposure compensation	±3 stops in 1/3- or 1/2-stop increments
FE lock	Provided
PC terminal	None
Flash control	Built-in flash function settings, external Speedlite function settings, external Speedlite Custom Function settings Wireless flash control via optical transmission
Live View Shooting	Aspect ratio	3:2, 4:3, 16:9, 1:1
Focus methods	Dual Pixel CMOS AF system/Contrast-detection AF system (Face+Tracking, FlexiZone-Multi, FlexiZone- Single), Phase-difference detection with the dedicated AF sensor (Quick mode), Manual focus (approx. 5x and 10x magnified view possible for focus check)
Continuous AF	Provided
Focusing brightness range	EV 0-18 (at room temperature, ISO 100)
Metering modes	Evaluative metering (315 zones), Partial metering (approx. 10.3% of Live View screen), Spot metering (approx. 2.6% of Live View screen), Center-weighted average metering
Metering brightness range	EV 0 – 20 (at room temperature, ISO 100)
Creative filters	Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, Miniature effect
Silent shooting	Provided (Mode 1 and 2)
Touch shutter	Provided
Grid display	Three types
Movie Shooting	Recording format	MOV
Movie	MPEG-4 AVC / H.264 Variable (average) bit rate
Audio	Linear PCM
Recording size and frame rate	1920×1080 (Full HD): 30p/25p/24p 1280×720 (HD) : 60p/50p 640×480 (SD) : 30p/25p * 30p: 29.97 fps, 25p: 25.00 fps, 24p: 23.98 fps, 60p: 59.94 fps, 50p: 50.00 fps
Compression method	ALL-I (I-only), IPB
File size	1920×1080 (30p/25p/24p) / IPB : Approx. 235 MB/min. 1920×1080 (30p/25p/24p) / ALL-I : Approx. 685 MB/min. 1280×720 (60p/50p) / IPB : Approx. 205 MB/min. 1280×720 (60p/50p) / ALL-I : Approx. 610 MB/min. 640×480 (30p/25p) / IPB : Approx. 78 MB/min. * Card reading/writing speed necessary for movie shooting: IPB: at least 6 MB per sec./ALL-I: at least 20 MB per sec.
Focusing	Same as focusing with Live View shooting * Quick mode disabled during movie shooting
Digital zoom	Approx. 3x-10x
Metering modes	Center-weighted average and Evaluative metering with the image sensor * Automatically set by the focus method.
Metering brightness range	EV 0 – 20 (at room temperature, ISO 100)
Exposure control	Autoexposure shooting (Program AE for movies) and manual exposure
Exposure compensation	±3 stops in 1/3-stop increments (±5 stops for still photos)
(Recommended exposure index)	For autoexposure shooting: 1. ISO 100 – ISO 6400 set automatically. In Creative Zone modes, the upper limit is expandable to H (equivalent to ISO 12800). For manual exposure shooting: Auto ISO (ISO 100 – ISO 6400 set automatically), ISO 100 – ISO 6400 set manually (1/3- and whole-stop increments), expandable to H (equivalent to ISO 12800)
Time code	Supported
Drop frames	Compatible with 60p/30p
Video snapshots	Settable to 2 sec./4 sec./8 sec.
Sound recording	Built-in stereo microphone, external stereo microphone terminal provided Sound-recording level adjustable, wind filter provided, attenuator provided
Grid display	Three types
Still photo shooting	Possible
LCD Monitor	Type	TFT color, liquid-crystal monitor
Monitor size and dots	Wide 7.7 cm (3.0-in) (3:2) with approx. 1.04 million dots
Brightness adjustment	Manual (7 levels)
Electronic level	Provided
Interface languages	25
Touch screen technology	Capacitive sensing
Feature guide / Help	Displayable
Playback	Image display formats	Single image display, Single image + Info display (Basic info, shooting info, histogram), 4-image index, 9-image index
Highlight alert	Overexposed highlights blink
AF point display	Possible
Grid display	Three types
Zoom magnification	Approx. 1.5x – 10x
Image browsing methods	Single image, jump by 10 or 100 images, by shooting date, by folder, by movies, by stills, by rating
Image rotate	Possible
Rating	Provided
Movie playback	Enabled (LCD monitor, video/audio OUT, HDMI OUT), built-in speaker
Slide show	All images, by date, by folder, by movies, by stills, by rating
Background music	Selectable for slide shows and movie playback
Image protect	Possible
Post-Processing of Images	In-camera RAW image processing	Brightness correction, White balance, Picture Style, Auto Lighting Optimizer, High ISO speed noise reduction, JPEG image-recording quality, Color space, Peripheral illumination correction, Distortion correction, Chromatic aberration correction
Resize	Possible
Creative filters	Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, Miniature effect
Direct Printing	Type	PictBridge (USB and Wireless LAN)
Printable images	JPEG and RAW images
Print ordering	DPOF Version 1.1 compatible
Custom Functions	Custom Functions	23
My Menu registration	Possible
Custom shooting modes	Register under Mode Dial C
Copyright information	Entry and inclusion enabled
Interface	Audio/video OUT/Digital terminal	Analog video (Compatible with NTSC/PAL)/stereo audio output Computer communication, Direct printing (Hi-Speed USB or equivalent), GPS Receiver GP-E2 connection
HDMI mini OUT terminal	Type C (Auto switching of resolution), CEC-compatible
External microphone IN terminal	3.5 mm diameter stereo mini-jack
Remote control terminal	For Remote Switch RS-60E3
Wireless remote control	Compatible with Remote Controller RC-6
Eye-Fi card	Compatible
Power	Battery	Battery Pack LP-E6 (Quantity 1) * AC power can be supplied via AC Adapter Kit ACK-E6. * With Battery Grip BG-E14 attached, size-AA/LR6 batteries can be used.
Battery information	Remaining capacity, Shutter count, Recharge performance, and Battery registration possible
Number of possible shots (Based on CIPA testing standards)	With viewfinder shooting: Approx. 920 shots at room temperature (23°C/73°F), approx. 850 shots at low temperatures (0°C/32°F) With Live View shooting: Approx. 210 shots at room temperature (23°C/73°F), approx. 200 shots at low temperatures (0°C/32°F)
Movie shooting time	Approx. 1 hr. 20 min. at room temperature (23°C/73°F), approx. 1 hr. 20 min. at low temperatures (0°C/32°F) * With a fully-charged Battery Pack LP-E6.
Dimensions and Weight	Dimensions (W x H x D)	Approx. 139.0 x 104.3 x 78.5 mm / 5.5 x 4.1 x 3.1 in.
Weight	Approx. 755 g / 26.7 oz. (CIPA Guidelines), approx. 675 g / 23.8 oz. (Body only)
Operation Environment	Working temperature range	0°C – 40°C / 32°F – 104°F
Working humidity	85% or less

Canon EOS 70D Wi-Fi Specifications

Wireless LANStandards complianceIEEE802.11b/g/nTransmission methodDS-SS modulation (IEEE802.11b)
OFDM modulation (IEEE802.11g/n)Transmission rangeApprox. 30 m/98.4 ft
* With no obstructions between the transmitting and receiving antennas and no radio interference.
* With a large, high-performance antenna attached to the wireless LAN access point.Transmission frequency (Center frequency)Frequency: 2412 – 2462MHz
Channels: 1 – 11chConnection methodInfrastructure mode*, ad hoc mode, camera access point mode
* Wi-Fi Protected Setup supportedSecurityAuthentication method: Open system, Shared key, WPA-PSK, WPA2-PSK
Encryption: WEP, TKIP, AESNetwork FunctionsTransfer images between camerasTransferring one image
Transferring selected images
Transferring resized imagesConnection to smartphonesImages can be viewed, controlled, and received using a smartphone.
Remote control of the camera using a smartphoneRemote operation using EOS UtilityRemote control functions and image viewing functions of EOS Utility can be used via a wireless LAN.Print from Wi-Fi printersImages to be printed can be sent to a printer supporting Wi-Fi.Send images to a Web serviceImages in the camera or links to images can be sent to registered Web services.View images using a media playerImages can be viewed using a DLNA-compatible media player.

Battery Pack LP-E6

Battery Pack LP-E6TypeRechargeable lithium-ion batteryRated voltage7.2 V DCBattery capacity1800 mAhDimensions (W x H x D)Approx. 38.4 x 21.0 x 56.8 mm / 1.5 x 0.8 x 2.2 in.WeightApprox. 80g / 23.6 oz.

Battery Charger LC-E6

Battery Charger LC-E6Compatible batteryBattery Pack LP-E6Recharging timeApprox. 2 hr. 30 min.Rated input100 – 240 V AC (50/60 Hz)Rated output8.4 V DC / 1.2 AWorking temperature range5°C – 40°C / 41°F – 104°FWorking humidity85% or lessDimensions (W x H x D)Approx. 69.0 x 33.0 x 93.0 mm / 1.5 x 0.8 x 3.7 in.WeightApprox. 130g / 23.6 oz.

Get your very own Canon EOS 70D on Amazon Today

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Sony a5100 Availability
	Discontinued	No
	Year announced	2014
General
	Lens Mounts	Sony E Mount
Sony a5100 Lens
	Effective Magnification	No Data
Image Sensor
	Pixels	24.3Mp (Megapixels)
	Pixels (W)	6000
	Pixels (H)	4000
	Sensor Type	CMOS
	Sensor Size	APS-C
	Sensor Size (width)	23.2mm
	Sensor Size (height)	15.4mm
	Aspect Ratio	3:02
		16:09
	Pixel pitch	No Data
LCD Monitor
	LCD Monitor	3in
	Brightness adjust	Yes
	Tilting screen	Yes
	Live view	Yes
	Screen resolution	921600 dot
	Touch Screen	Yes
Focusing
	Focusing modes	Autofocus
	Focusing Points	No Data
	Auto Focus Sensitivity	No Data
Construction
	Waterproof	No Data
	Waterproof Depth	No Data
	Weather-sealed	No Data
Exposure Control
	Shutter speeds shortest	1/4000sec
	Shutter speeds longest	30sec
	Bulb mode	Yes
	Self Timer	10, 2
	Exp modes	Program
		Aperture-Priority
		Shutter-Priority
		Manual
		Scene modes
		AB
	AE lock	Yes
	Metering	Centre-weighted – Average
		Multi Pattern
		Spot
	ISO sensitivity	100 – 16000
	White balance	Auto
		Manual
		Outdoors/Daylight
		Cloudy
		Incandescent
		Fluorescent
		Shade
	Digital filter	Yes
	Exposure Comp	+/-3
	Auto Exposure Bracketing	1/3 EV / 2/3 EV increments, 3 frames
Viewfinder
	Viewfinder field of view	No Data
	Depth of field preview	No
	Viewfinder Resolution	No Data
	Magnification	No Data
Sony a5100 Shooting Options
	Continuous shooting	6fps
	Multiple exposure	No Data
	Sound recording	Yes
Video
	Movie mode	Yes
	Video Resolution	1920×1080 FullHD
	Video FPS	25p, 50p
	Stereo Sound	Yes
	Optical Zoom with Video	Yes
Flash
	Flash Guide Number (ISO100/m)	No Data
	Flash sync speed	No Data
	Flash modes
	Flash compensation	No Data
	Hot Shoe	No
Shooting Performance
	Shutter response	No Data
	Focus speed – Wide	No Data
	Focus speed – Telephoto	No Data
	Switch on time to first photo	No Data
	Shot to shot speed	No Data
	Shot to shot speed – flash	No Data
	Continuous shooting – JPEG	No Data
	Continuous shooting – Flash	No Data
	Continuous shooting – RAW	No Data
Other Features
	Number of Custom Functions	No Data
	Dust removal	Yes
	Image Stabilisation	No
	Histogram	Yes
	Thumbnail / Index view	Yes
	Video out	No
	Slide show mode	Yes
	Zoom playback	14x
	GPS enabled	No
Interface
	HDMI	Yes
	USB	USB 2
	Firewire	No
	Platform	PC
		MAC
	Wi-Fi	Yes
	Ethernet	No
	NFC	Yes
	Bluetooth	No Data
	Microphone Socket	No Data
	Headphone Socket	No Data
Storage
	Card Type	SD
		SDHC
		Memory Stick (Sony)
		SDXC
	File Type	RAW
		JPG
		RAW + JPG
	Internal Memory	No Data
Power Source
	Battery Type	NP-FW50
	Battery Life (CIPA rating)	400shots
	Movie recording time	No Data
Box Contents
	Box Contents	Power cord, Rechargeable Battery NP-FW50, AC Adaptor (AC-UB10), Shoulder strap, Body cap, Micro USB cable, Kit Lens Options: Power zoom lens kit (SELP 1650) or Zoom Lens Kit (SEL 55210)
Dimensions
	Weight	224g
	Width	109.6mm
	Height	62.8mm
	Depth	35.7mm

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