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New L-brackets for Nikon Z9 cameras from SmallRig, ProMediaGear, RRS, and Kirk Photo

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Digital Cameras
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Nikon Z 9

Nikon Z9 L-Brackets now Available from the following companies

  • SmallRig
  • ProMediaGear
  • Real Right Stuff
  • Kirk Photo
3 Legged Thing QR11 Universal L-Bracket – Arca Swiss Compatible L-Bracket for Use with Multiple Mirrorless & DSLR Camera Makes & Models in 2 Colours q? encoding=UTF8&MarketPlace=US&ASIN=B073RRMFNW&ServiceVersion=20070822&ID=AsinImage&WS=1&Format= SL160 &tag=digitalcameras0e59 20
SmallRig

SmallRig is a designer and manufacturer of DSLR camera rigs, camera cages, camera stabilizers, and other professional camera accessories. SmallRig, a company founded in 2012, develops and produces a wide range of accessories for content producers working in a variety of media fields. Over two million people across the world utilise SmallRig devices for live streaming, vlogging, and professional video creation.

SmallRig L-Bracket for Nikon Z 9

SmallRig L-Bracket for Nikon Z 9

SmallRig Address

Rm 4, 16/F., Ho King Commercial Centre,

2-16 Fa Yuen Street, Mongkok,

Kowloon, Hong Kong

ProMediaGear – L-Brackets

Stability and easy switch from landscape to portrait mode are just two of the advantages of the ProMediaGear L-bracket. A simple L-bracket can accomplish a great deal more with the right attachments.

Accessory options for ProMediaGear L-brackets are readily accessible right now. This includes anything from grips to flash brackets to cable covers. When it comes to purchasing L-bracket attachments, the following products are among the finest.

These add-ons are useful since they work with a variety of ProMediaGear brackets. If you need a camera-specific or universal bracket, there’s an attachment you should buy.

PLNZ9 L-Bracket for Nikon Z9 Mirrorless Camera

PLNZ9 L-Bracket for Nikon Z9 Mirrorless Camera

Real Right Stuff – RRS

His retirement funds and life savings were invested in the invention, in 1990, of Really Right Stuff, a superior match for the generic quick-release plates that had previously been offered. It took him another twelve years to continue designing better Arca-Swiss compatible fast release plates, both in the generic and custom realms. From Shanghai to California’s Central Coast, Joseph Johnson Sr. and his family have been running the company out of their garage for the last several years after acquiring the corporation from Bryan Geyer.

Since then, the Really Right Stuff line has expanded to include a wide range of accessories, including tripods, ball heads, and lens feet. In 2018, Really Right Stuff moved to Lehi, Utah from the Central Coast of California after almost two decades of service there. As a result, the majority of the company’s products are now produced in-house. To this day, we take great pleasure in offering high-quality camera equipment, with a focus on American-made products of outstanding quality.

NIKON Z9 MODULAR PLATES

NIKON Z9 MODULAR PLATES

There are two mounting surfaces in the form of a L on the bottom and left of your camera with RRS camera L-Plates. You can rapidly switch between landscape and portrait orientations without having to recompose your photo, saving you time and effort. This extra mounting option In addition, an L-Plate maintains your equipment centred over the tripod’s peak, ensuring the finest possible stability.

modular L-Plates offer the same benefits as standard unibody L-Plates, but are made of two different components: a regular base plate and a specific vertical L-Component that is mounted on the left-hand side of the base plate. Flexible design allows the photographer to remove an L-Component for a smaller profile or when maximum port access is required. This modular approach

Kirk Photo

Founded by Michael Kirk, a photographer who was fed up with the lack of products available to satisfy his needs, Kirk Enterprise Solutions has grown into a multi-million dollar company. Currently, KES is in its second generation, under the guidance of his son Jeff, to produce high-quality products in the United States, 30 years after it was founded.

KES L-Bracket for Nikon Z9

KES L-Bracket for Nikon Z9
  • Weight: TBD
  • Finish: Black Anodize
  • Material: 6061-T6 aluminum
  • QD System: Yes, Material: Stainless Steel  (Industry Standard Quick Disconnect System) 
  • Sensor Centering Lines: Yes
  • Accessory Mounting Hole: (1) 1/4-20
  • Mounting Screw: Captive 1/4-20 stainless
  • Slotted Design for Additional Side Port Access: Yes
  • Two piece design: Yes
  • Built in hex wrench system: Included
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Check out the Nikon Z 9

Canon Dual Fisheye

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Digital Cameras
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Canon Dual Fisheye

RF5.2mm f/2.8L Dual Fisheye

Canon Dual Fisheye
Canon Dual Fisheye rf 5.2mm f/2.8

The Canon rf 5.2mm f/2.8 Dual Fisheye is just incredible, here is our take…

The parallax of the left and right fisheye lenses in the RF5.2mm f/2.8L Dual Fisheye captures 180-degree 3D stereoscopic images. To ease the recording of Virtual Reality (VR) recordings through a single camera, a single sensor is used to gather light from both lenses.

  • Streamline Virtual Reality Production Workflow
  • Large Aperture of f/2.8
  • Dual-Lens Electro-Magnetic Diaphragm

Electro Magnetic Diaphragm with Dual Lenses (EMD)
RF5.2mm f/2.8L Dual Fisheye has EMD, which adjusts exposure electronically, on both the left and right sides of the lens.

Even in low-light conditions, the RF5.2mm f/2.8L Dual Fisheye gives great results.

ND Filters

With the RF5.2mm f/2.8L Dual Fisheye, you may utilize Neutral Density (ND) filters while photographing in the open air.

SWC

Virtual reality (VR) imagery may suffer from ghosting due to backlighting, which can be reduced by using Subwavelength Structure Coating (SWC).

Canon Dual Fisheye is Dust- & Drip-Resistance

A excellent dust and drip-resistance is provided by the lens’s sealings at all critical places.

Software support allows for a more efficient and simplified workflow during post-production.

EOS VR Utility*

  • A computer software application that lets users convert images into equirectangular projections (a standard VR image format) and perform simple editing on them.
  • Supports toggling between images/footage shot by the left and right lenses. Also supports toggling between circular fisheye and equirectangular displays.
  • Supports image straightening/parallax correction for compatible lenses
  • Supports playback and basic cutting of 180-degree VR images on computer monitors.
  • Videos recorded in 8K can be converted and saved in a different size, file specification, or format.
  • LUTs (Lookup Tables) can be applied to videos recorded in Canon Log mode.
  • Supports output to DPX (Digital Picture Exchange) and Apple ProRes for NLE (non-linear editing) purposes.

EOS VR Plugin* for Adobe Premiere Pro

  • A computer software plugin for video creators who edit with Adobe Premiere Pro.
  • Supports swapping the left and right images and converting images into equirectangular projections (a standard VR image format).
  • Supports image straightening/parallax correction for compatible lenses

*subscription fee and/or payment required for features

Experience the Canon Dual Fisheye Virtual Reality

rf5.2mm f2.8 l Dual Fisheye

This is a 3D 180-degree Virtual Reality video shot on Canon EOS R5 with the RF5.2mm f/2.8L Canon Dual Fisheye. You can control your angle of view while watching the video.

For viewers on Mobile:

  • Tilt or move your phone around to change the angle of view.
  • Touch and hold your finger on the screen to change the angle of view.
  • Click Mask icon 8f2f6e290cf4468693bc1c382bfc4404 VR+Icon for a more immersive experience using a Virtual Reality (VR) headset or compatible VR goggles.

For viewers on Desktop:

  • Use the arrow controls located at the top left of the screen to change the angle of view.
  • Hover your cursor over the screen and you will see a hand icon. Click and drag around to change the angle of view.

Check out the Canon EOS R5

SEAC Moving money 728x90 1

Nikon Z 9

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Digital Cameras
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Nikon Z9

Nikon Z 9 Mirrorless Camera

Nikon Z 9

Nikon Z 9 or Z9 as many are calling it is a camera will be a significant purchase for photographers, and Nikon is hoping to make the process of choosing one easier with its newest model. The Nikon Z9 is an impressive new lens-free camera that has captured the attention of many photographers. This camera offers a resolution up to 80 MP, making it perfect for high-quality prints or large canvases. It also has a built-in lightmeter, along with excellent autofocus features. The Nikon Z9 is Nikon’s latest and greatest camera, and while it may not be flashy with the same features as the latest smartphones, it is has a lot to offer in terms of quality.

The Z 9 offers high-resolution images that are the sharpest that the company has ever given consumers. It also offers up to 1200 shots per charge, which is double what other cameras typically offer.

With much anticipation Nikon are launching the Nikon Z 9 although with some delays due to the shipping bottlenecks currently on going, with likely deliveries taking place early 2022.

  • 0:00 Nikon Z 9 Introduction
  • 1:18 Nikon Z 9 Product Tour
  • 4:18 Behind the Scenes with the Nikon Z 9
  • 8:29 Message from the Managing Director of Nikon Singapore
  • 11:15 Before the Shot

Let’s take a look at some of the key takeaways for the Nikon Z 9

World’s best AF scene detection system

Best-in-class 8K video resolution and internal recording

World’s fastest still image frame rate of 120 fps

World’s fastest scanning speed

World’s first truly blackout free electronic viewfinder

First Nikon camera with 4-axis vertical and horizontal tilting monitor.

Nikon Z9 – What we know so far

Nikon Z 9

Deep learning was used to identify the subject. Automatic. Simultaneous.
The Z 9 is equipped with a breakthrough algorithm developed using deep learning that allows it to automatically detect and track the widest range of subjects, including people, dogs, cats, birds, cars, motorcycles, bicycles, trains, and planes—in both still and video images and without the need for any menu adjustments.

The ability to keep up with the tiniest and quickest subjects.
A total of 120 calculations are conducted per second, with quick and steady communication between the lens and the camera via the Z mount. The AF and AE calculations are made in real time. Even tiny and irregular things, such as birds in flight, may be monitored with relative simplicity.

Eye AF has been improved for humans, pets, and birds.

Humans, dogs, cats, and birds (and other similar critters) are automatically tracked by the Eye Detection AF feature, even when they are tiny in the frame or hidden by hair, glasses, or goggles, or whether they are upside down or right-side up.

3D Tracking in conjunction with subject detection. AF has taken on a whole new level.

Nikon’s famous 3D Tracking technology is now available with deep learning subject identification, allowing you to harness its full potential. Fast-moving subjects may be tracked as they move toward you, away from you, or everywhere in between, with little effort.

Concentrate in the dark – Reduce the EV to -8.5.

Subject detection and autofocus (AF) are effective down to -6.5 stops of light. Activate Starlight Mode and focus all the way down to -8.5 EV using the camera’s manual focus. Due to the fact that you’ll be spending more time in the dark, the buttons on the Z 9 are lit.

A revolutionary new processing engine has been developed.

Introducing EXPEED 7, the most powerful Nikon processing engine to date. ten times quicker than the preceding generations Processes sophisticated AF and AE computations at a rate of 120 calculations per second. Dual-streamed data from the stacked image sensor is processed in a separate manner. Allows for next-generation capabilities such as 120 frames per second still photography, 8K video recording, and a blackout-free watching experience, among others.

With a single push of the shutter, you may go from zero to 120 frames per second.
The Z 9 records 45.7-megapixel stills at an action-freezing 30 frames per second and press-ready 11-megapixel stills at an outrageously fast 120 frames per second—all with full AF and AE functionality and no blackout—allowing you to capture moments you may have never seen before.

Nikon Z 9 Stork 1
Nikon Z 9 Motorcross

Keep your finger firmly planted on the keyboard.

The buffer has a capacity of 1,000 images.
The Z 9 shoots continuously for more than 1,000 frames at 20 frames per second*, resulting in full resolution High-Efficiency RAW or JPEG (L) fine files. The Z 9 has an apparently limitless buffer.

Write rates that are the quickest. CFexpress Type B has two connectors.
CFexpress Type B cards are tuned for high performance and are housed behind a new latching door with a new latching mechanism. Because the slots are independent of one another, you may put cards with varying write speeds—including XQD cards—into each slot.

Finally, an electronic shutter that you can put your confidence in.
Using an electronic shutter, the Z 9 achieves the world’s least amount of rolling-shutter distortion2, obviating the necessity for a mechanical one. You may shoot at shutter speeds up to 1/32,000 second in total stillness, with no shutter vibration and no need to be concerned about the shutter wearing out.

Silent mode is activated. Make yourself indistinguishable.
The Silent Mode disables menu sounds and VR Lock, as well as reducing lens drive noises, for when you need to be completely undetectable. Furthermore, since the Z 9 does not have a mechanical shutter, you may shoot without hearing a shutter click—or you can use headphones to hear the simulated shutter sound only if you are alone in the room.

8K video at 30 frames per second is a first in the world. In-camera. There will be no overheating.

Nikon Z 9 Incorporates a unique body design that effectively distributes heat, the Z 9 can record luscious 10-bit 8K UHD video at 24, 25 or 30 frames per second internally for more than 2 hours straight*—without the fear of overheating. Do you need stills from your shoot? Save frame samples from your video at a resolution of 33 megapixels.

4K/30p from an 8K oversampled source.

Using the Z 9’s excellent sensor, you can capture dense 10-bit 4K UHD footage in-camera with complete pixel readout at 24, 25, and 30 frames per second in ProRes 422 HQ or H.265 video. Alternatively, spectacular 4K UHD slow motion sequences up to 120p may be created. A 2.3x crop format with complete pixel readout is offered for those who want to go closer to their subject without having to change lenses.

Nikon Z 9
Nikon Z 9 Lens

Lenses that shine brightly in all lighting conditions.
Take use of the high dynamic range of the NIKKOR Z lenses and the quick aperture of the Z 9 to produce gorgeous, crisp low-light video. Any production will benefit from the addition of drama and depth.

Handheld shooting with a steady hand. VR with electrical enhancements.
Because of the intelligence and processing power included into EXPEED 7, you can achieve better electronic VR for video recording, reducing trapezoid distortion caused by wide angle lenses, and capturing smooth handheld walking shots with less effort.

CMOS sensor that has been stacked. 45.7-megapixels. The whole frame.
This camera was developed by Nikon especially for high-speed shooting situations that need ultra-high-resolution picture quality. With the world’s fastest scanning speed2, 12x quicker data readout than the famous Z 7II, and absolutely stunning picture quality in stills and 8K films, this camera is a game changer.

The world’s most minimum rolling-shutter distortion2 may be found here.

Rolling-shutter distortion is reduced to a minimum due to the high scanning speed of the Z 9. Capture natural-looking photographs of things that are moving incredibly quickly, such as golf and baseball swings, as well as cars.

Handheld photography has become sharper. Compensation is available up to 6.0 stops.

Using Synchro VR, the Z 9 offers sophisticated Vibration Reduction (VR), which combines 5-axis in-body VR with 2-axis lens VR to provide an effect comparable to a shutter speed up to about 6.0 stops quicker.

In whatever light, the door is wide open. The shutter speed was 1/32,000 of a second.
When shooting in poor light, increase your shutter speed to a maximum of 1/32,000 second and shoot wide open. Take use of the lovely bokeh created by NIKKOR Z lenses in more circumstances than ever before.

RAW with a high level of efficiency. Approximately one-third smaller.
The new RAW format maintains the same excellent picture quality, dynamic range, and flexibility as traditional RAW files while having a file size that is about one-third less. Increase the efficiency of your workflow.

The world’s first totally blackout-free viewfinder has been developed.

For the longest time, the only way to ensure a blackout-free vision was to repeat particular frames inside the viewfinder. The Z 9 is the world’s first camera that include a viewfinder that displays every single moment1—including those that were previously hidden by traditional EVF or DSLR systems. Even while shooting at 120 frames per second, you’ll be able to smoothly track every movement of your subject.

Dual-Stream Technology – A dedicated feed is used in this technology.

There are two data streams generated by the stacked-CMOS sensor: one for recording to the memory card and another for displaying on the screen. The watching stream is undisturbed by any capture processing, resulting in a clean, lag-free, uninterrupted view with no blackouts at any point throughout the viewing session.

Touchscreen with horizontal and vertical tilting on four axes.

It is going up. It’s going to go down. It travels to the left. It all goes according to plan. Almost any angle may be used to capture a photo, including high, low, and sideways, as long as the image is clear and bright throughout. While shooting vertically with the Z 9, the Z 9’s user interfaces on the display and the Real-Time Viewfinder both shift to a vertical angle as well.

Nikon Z9 Motorcross
Nikon Z 9 Cheetah
OFX

Nikon Z 9 Technical Specs

Type
Nikon Z 9 Digital camera with support for interchangeable lenses
Lens Mount
Nikon Z mount
CollapseImage Sensor
Effective Pixels
45.7 million
Sensor Size
35.9 mm 
 x  23.9 mm
Image Sensor Format
FX
Image Sensor Type
Stacked CMOS sensor
Total Pixels
52.37 million
Dust-Reduction System
Image Dust Off reference data (NX Studio software required)
Image Area (pixels)
FX-format
(L) 8,256 x 5,504
(M) 6,192 x 4,128
(S) 4,128 x 2,752
DX-format
(L) 5,408 x 3,600
(M) 4,048 x 2,696
(S) 2,704 x 1,800
1:1 (24 x 24)
(L) 5,504 x 5,504
(M) 4,128 x 4,128
(S) 2,752 x 2,752
16:9 (36 x 20)
(L) 8,256 x 4,640
(M) 6,192 x 3,480
(S) 4,128 x 2,320
CollapseFile System
File Format Still Images
JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; size-priority and optimal-quality compression available
NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
NEF (RAW): 14 bit with lossless, high-efficiency*, or high-efficiency compression
Storage Media
CFexpress (Type B)
XQD Type Memory
File System
DCF 2.0
Exif 2.32
CollapseViewfinder
Viewfinder
1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED electronic viewfinder with color balance and auto and 16- level manual brightness controls
Viewfinder Frame Coverage
Approx. 100% horizontal
100% vertical
Viewfinder Magnification
Approx. 0.8x (50 mm lens at infinity, -1.0 m -1)
Viewfinder Eyepoint
21 mm (-1.0 m-1; from rearmost surface of viewfinder eyepiece lens)
Viewfinder Diopter Adjustment
−4 – +3 m−1
Eye Sensor
Automatically switches between monitor and viewfinder displays
CollapseShutter
Shutter Type
Electronic shutter with shutter sound and sensor shield
Shutter Speed
1/32000 to 30 sec. (choose from step sizes of 1/3, 1/2 and 1 EV, extendable to 900 sec. in mode M), bulb, time, X200
Flash Sync Speed
Up to:  X=1/200 sec. to 1/250 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported
Top Continuous Shooting Speeds
20 frames per second with RAW at Full Resolution
30 frames per second with JPEG at Full Resolution
120 frames per second with JPEG at 11 Megapixel
CollapseExposure
Exposure Metering System
TTL metering using camera image sensor
Metering Range
-3 to +17 EV
(ISO 100, f/2.0 lens, 20 °C/68 °F)
Exposure Compensation
-5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M
Exposure Lock
Luminosity locked at detected value
Picture Control
Auto
Flat
Landscape
Monochrome
Neutral
Portrait
Standard
Vivid
Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon)
Selected Picture Control can be modified
Storage for custom Picture Controls
Multiple Exposure
Yes
Add
Average
Lighten
Darken
CollapseSensitivity
ISO Sensitivity
ISO 64–25600 in step sizes of 1/3 and 1 EV
can also be set to approx. 0.3, 0.7, or 1 EV (ISO 32 equivalent) below ISO 64 or to approx. 0.3, 0.7, 1, or 2 EV (ISO 102400 equivalent) above ISO 25600; auto ISO sensitivity control availableActive D-LightingCan be selected from: AutoExtra high 2Extra high 1HighNormalLowOffActive D-Lighting BracketingYesCollapseFocus/AutofocusAutofocus SystemHybrid phase-detection/contrast AF with AF assistDetection Range-6.5 to +19 EV (-8.5 to +19 EV with starlight view (Measured in photo mode at ISO 100, f/1.2 lens, at a temperature of 20 °C/68 °F)Lens ServoAutofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus trackingManual focus (M): Electronic rangefinder can be usedFocus Point493 (single-point AF)AF-Area ModePinpointSingle-PointWide-area AF (S)Wide-area AF (L)Dynamic-area (S)Dynamic-area (M)Dynamic-area (L)3D-trackingSubject-tracking AFPinpoint and Dynamic-area AF (S, M, L), 3D-tracking available in photo mode onlySubject-tracking AF available in video mode onlyFocus LockFocus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selectorVibration Reduction5-axis image sensor shiftCollapseFlashFlash ControlTTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot meteringFlash Sync ModesFront-curtain syncRear-curtain syncRed-eye reductionRed-eye reduction with slow syncSlow syncOffFlash Compensation-3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and MFlash-ready IndicatorLights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full outputAccessory ShoeISO 519 sync terminal with locking threadNikon Creative Lighting System (CLS)i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash controlFlash Sync TerminalYesCollapseWhite BalanceWhite BalanceAuto (3 types)Choose color temperature (2,500 K–10,000 K)CloudyDirect sunlightFlashFluorescent (3 types)IncandescentNatural light autoPreset manual (up to 6 values can be stored), all with fine-tuningShadeWhite Balance BracketingYesCollapseMovieMovie MeteringTTL exposure metering using main image sensorMovie Maximum Recording Time2 hours 5 minutesMovie File FormatMOVMP4Movie Video CompressionApple ProRes 422 HQ (10 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit)Movie Audio Recording FormatLinear PCMAACMovie8K UHD 7,680×4,320 / 30p (progressive)8K UHD 7,680×4,320 / 25p8K UHD 7,680×4,320 / 24p4K UHD 3,840 × 2,160 120p4K UHD 3,840 × 2,160 100p4K UHD 3,840×2,160 / 60 fps4K UHD 3,840×2,160 / 50 fps4K UHD 3,840×2,160 / 30 fps4K UHD 3,840×2,160 / 25 fps4K UHD 3,840×2,160 / 24 fpsFull HD 1,920×1,080 / 120 fpsFull HD 1,920×1,080 / 100 fpsFull HD 1,920×1,080 / 60 fpsFull HD 1,920×1,080 / 50 fpsFull HD 1,920×1,080 / 30 fpsFull HD 1,920×1,080 / 25 fpsFull HD 1,920×1,080 / 24 fpsActual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectivelyMovie AudioBuilt-in stereo or external microphone with attenuator option; sensitivity can be adjustedMovie ISOMode M: Manual selection (ISO 64 to 25600; choose from step sizes of 1/3 and 1 EV); with additional options available equivalent to approximately 0.3, 0.7, 1, or 2 EV (ISO 102400 equivalent) above ISO 25600Auto ISO sensitivity control (ISO 64 to Hi 2.0) available with selectable upper limitModes P, S, A: Auto ISO sensitivity control (ISO 64 to Hi 2.0) with selectable upper limitMovie Active D-LightingCan be selected from:Extra HighHighNormalLowOffTime CodeYesMovie Log Gamma OutputN-Log or HLG videos are recorded to “memory card”When NOT using memory card in Z9 and using external recorderN-Log or HLG video are recorded to “external recorder via HDMI-output”When using both memory card in Z9 and external recorderN-Log or HLG video are recorded to both “memory card” and “external recorder via HDMI-output”However, If you select 8K30p/25p/24p or 4K120p/100p, the recording frame size for HDMI-output is change to FHDFor example, if you select 8K30p, memory card is 8K30p and HDMI-output is FHD30p; If you select 4K60p, memory card is 4K60p and HDMI-output is 4K60p.
Movie e-VR
Yes
Movie HDMI Output
Yes
Movie Focus Peaking
Yes
Movie Highlight Display (Zebras)
Yes
Time-Lapse Movie
Yes
AF for Movie
AF Speed and AF Tracking Sensitivity can be adjusted
CollapseMonitor
Monitor Size
3.2 in. diagonal
Monitor Resolution
2100 k dots
Monitor Type
Vertically and horizontally tilting TFT touch-sensitive LCD
CollapsePlayback
Playback Functions
Auto Image Rotation
Full-frame and Thumbnail (4, 9, or 72 images)
Highlights
Histogram Display
Location Data Display
Movie Playback
Photo Information
Picture Rating
Playback with Playback Zoom
Playback Zoom Cropping
Voice memo input and playback
IPTC information embedding and display
Voice Memo Function
Yes
CollapseInterface
Interface
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended
Audio Input: Stereo mini-pin jack (3.5 mm diameter; plug-in power supported)
Audio Output: Stereo mini-pin jack (3.5 mm diameter)
Type A HDMI connector
10 pin remote terminal: Built-in
Ethernet
RJ-45 connector
Standards: IEEE 802.3ab (1000BASE-T), IEEE 802.3u (100BASE-TX), IEEE 802.3 (10BASE-T)
Data rates *: 10/100/1000 Mbps with auto detect
Port: 1000BASE-T/100BASE-TX/10BASE-T
(AUTOMDIX) * Maximum logical data rates according to IEEEstandard; actual rates may differ
Wi-Fi Functionality
Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania)
Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico)
Standards: IEEE 802.11b/g/n/a (other countries in the Americas)
Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico)
Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia)
Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries)
Maximum output power (EIRP): 2.4 GHz band: 8.4 dBm
Maximum output power (EIRP): 5 GHz band 6.0 dBm (Georgia)
Maximum output power (EIRP): 5 GHz band: 9.0 dBm (other countries)
Authentication: Open system, WPA2-PSK, WPA3-SAE
Smart Device App Connectivity
SnapBridge
Bluetooth
Communication protocols: Bluetooth Specification
Version 5.0
Operating frequency: Bluetooth: 2402–2480 MHz
Bluetooth Low Energy: 2402–2480 MHz
Maximum output power (EIRP)
Bluetooth: 2.9 dBm
Bluetooth Low Energy: 1.4 dBm
GPS
Built-in
Via the SnapBridge app
Supported GNS Systems
GPS (USA), GLONASS (Russia), QZSS (Japan)
Data Acquired
Latitude, longitude, altitude, UTC (Universal Coordinated Time)
Clock Synchronization
Camera clock can be set to time acquired via GNSS
Track Logs
NMEA-compliant
Log Interval
15 s, 30 s, 1 min., 2 min., 5 min.
Maximum Log Recording Time
6, 12, or 24 hours
Log Deletion
Supported
CollapseMenus
Supported Languages
English
CollapsePower
Battery / Batteries
EN-EL18d rechargeable Li-ion battery
EN-EL18c, EN-EL18b, EN-EL18a,and EN-EL18 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL18d.
Battery Life (shots per charge)
[Viewfinder only] selected for monitor mode with: [ON] selected for [Energy saving (photo mode)] in the setup menu: Approx. 740 shots
[Viewfinder only] selected for monitor mode with: [OFF] selected for [Energy saving (photo mode)] in the setup menu: Approx. 700 shots
[Monitor only] selected for monitor mode with: [ON] selected for [Energy saving (photo mode)] in the setup menu: Approx. 770 shots
[Monitor only] selected for monitor mode with: [OFF] selected for [Energy saving (photo mode)] in the setup menu: Approx. 740 shots
Photo Mode (Burst Photography): Number of Shots: Approx. 5310 shots
Movies: [Viewfinder only] selected for monitor mode: Approx. 170 minutes
[Monitor only] selected for monitor mode: Approx. 170 minutes
AC Adapter
EH-7P Charging AC Adapter
EH-7P charging AC adapter can be used to charge EN-EL18d, EN-EL18c and EN-EL18b batteries only.
Battery Charger
MH-33 Battery Charger
CollapseMiscellaneous
Tripod Socket
1/4 in. (ISO 1222)
Approx. Dimensions (Width x Height x Depth)
5.9 in. 
(149 mm) 
 x  5.9 in. 
(149.5 mm) 
 x  3.6 in. 
(90.5 mm)
Approx. Weight
47.3 oz. 
(1340 g)
Approx. 1340 g (2 lb. 15.3 oz.) with battery and memory card but without body cap and accessory shoe cover; approx. 1160 g/2 lb. 9 oz. (camera body only)
Operating Environment
Humidity: Less than 85% (no condensation)
Temperature: −10 °C–40 °C (+14 °F–104 °F)
For a full list of the technical specifications please refer to the product manual.

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Sony A7 III

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Digital Cameras
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Sony A7 III

Sony a7 III focus operation is made simple using a touch screen LCD

With a 3.0-type 922K-dot LCD display, you may use touch screens and get bright, crisp, and finely detailed images even in the sunlight.

Touch Focus and Touch Pad let you quickly lock in on a specific location on the screen by just swiping your finger over it, while the viewfinder lets you move the focus frame around with your fingertip.

What we like about the Sony a7 III is that the LCD can be tilted up to 107° and down to 41°, making it easy to handle the camera and view the shot.

Sony A7 III

Full-frame 24.2MP sensor with back-illuminated illumination.
Its gapless on-chip lens architecture and high-resolution 24.2-megapixel Exmor RTM CMOS image sensor make it an ideal choice for use with 35mm full-frame cameras.

Copper wires and LSI at the front-end are responsible for a two-fold increase in data readout speed.

A next-generation image processing system and a new sensor result in an up to 1.5-stop increase in picture quality.

The Sony a7 III has ISO range of up to 51200 and a dynamic range of up to 15 stops at low sensitivity settings are typical.

Improved detail reproduction and area-specific noise reduction work together to reduce noise while maintaining a high feeling of resolution.

Additionally, the color reproduction of skin and nature images, in particular, has been much enhanced. Even while shooting silently or continuously, the 7 III offers RAW output in 14-bit format (15 bits per pixel).

The AF coverage, speed, and consistency are all improved on the latest Sony a7 III giving its a more advanced image processing system and optimized AF algorithms for the 9 camera for the Sony a7 III increase AF speed, accuracy, and tracking. High-density wide-area coverage is provided by 693 phase detection AF points and 425 contrast detection AF points.

Improved AF speed and tracking performance allowed you to catch and retain focus on a fast-moving subject in erratic motion. Furthermore, the 7 III’s focusing works dependably down to EV-3 brightness.

A-mount lenses are supported by focal-plane phase-detection AF.

Even when using a LA-EA3 adapter to attach an A-mount lens to the 7 III, phase-detection autofocus will work. Fast responsiveness and high-performance tracking are provided by a 693-point focal-plane phase-detection AF system.

In addition to the AF On button and the multi-selector,
Since there’s no longer a half-press of the shutter button required to activate autofocus, you can better focus on precisely when to release the shutter and capture the moment instantaneously with the new AF-ON button!

A multi-selector allows you to rapidly and easily change the focus of your attention. You won’t lose out on wonderful opportunities to photograph moving objects since you can easily pick and alter the point of focus.

Sony A7 III

Maintain a laser-like focus at all times.
Improved eye-to-camera accuracy and AF speed make it simpler to capture a moving subject in a portrait even when the subject is looking down and away from the camera or is backlit with part of their face in partial darkness with the new Eye AF support for AF-C mode. When using an adapter to attach A-mount lenses to the 7 III, Eye AF is supported.

Convenience of AF in its entirety
Focus tracking sensitivity may be adjusted in five increments for subjects that move beyond the focus region while photographing stills.

When transitioning between horizontal and vertical orientations, the autofocus regions and points stay the same or vary, depending on the shooting circumstances. Memory of commonly used focus point settings may be saved to custom buttons, which can then be accessed with a single touch.

The ability to fire continuously has been improved.
You may quickly erase or safeguard groups of photos taken in continuous shooting mode by swiping your finger over the screen.

In addition, the camera’s high burst capacity and UHS-II media compatibility greatly speed up the process of writing data to memory cards. Changing settings while data is being written may be accomplished by using the Fn or menu buttons immediately after continuous shooting.

OFX
Sony a7 III
Photo by Abhishek Saini from Pexels

With AF/AE tracking, you may shoot at up to 10 frames per second.
Continuous shooting with AF/AE tracking is possible at up to 10 frames per second with the 7 III (up to 8 frames per second in live-view continuous shooting mode, with low display latency) because to improvements to the shutter charge unit and the image processing system.

In testing the Sony a7 III for one continuous burst recorded as much as 177 full-resolution JPEG photos (the norm), 89 compressed RAW images, or 40 uncompressed RAW photographs. A quiet, vibration-free electronic shutter is great for wildlife and other delicate circumstances when even a little amount of noise might jeopardize a photo.

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Alpha 7 III Specification

Lens
LENS MOUNT
E-mount
Image Sensor
ASPECT RATIO
3:02
NUMBER OF PIXELS (EFFECTIVE)
Approx. 12.1 megapixels
NUMBER OF PIXELS (TOTAL)
Approx. 12.9 megapixelsSENSOR TYPE35mm full frame (35.6×23.8mm), Exmor R CMOS sensorANTI-DUST SYSTEMYes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)Recording (Still Images)RECORDING FORMATJPEG (DCF Ver. 2.0, Exif ,Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE (PIXELS) [3:2]
35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M), APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
IMAGE SIZE (PIXELS) [4:3] 
35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M), APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)
IMAGE SIZE (PIXELS) [16:9]
35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
IMAGE SIZE (PIXELS) [1:1] 
35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408 (2.0M),APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)
IMAGE QUALITY MODES
RAW (Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard), HEIF(4:2:0 / 4:2:2) (Extra fine / Fine / Standard), RAW & JPEG, RAW & HEIF
PICTURE EFFECT
–
CREATIVE STYLE
–
PICTURE PROFILE
Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, ResetCREATIVE LOOKST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)DYNAMIC RANGE FUNCTIONSOff, Dynamic Range Optimizer (Auto/Level (1-5))COLOUR SPACEsRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). (compatible with TRILUMINOS Color)
14BIT RAW
Yes
Recording (Movie)
RECORDING FORMAT
XAVC S, XAVC HS
VIDEO COMPRESSION
XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
AUDIO RECORDING FORMAT
XAVC S:LPCM 2ch,LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch
COLOUR SPACE
Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut). (compatible with TRILUMINOS Color)
PICTURE EFFECT
–
CREATIVE STYLE
–
PICTURE PROFILE
Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps)* details of frame rate
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps)* details of frame rate
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p　(100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps)* details of frame rate
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps)* details of frame rate
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps)* details of frame rate
SLOW & QUICK MOTION (SHOOTING FRAME RATE) 
NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps,PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps* details of frame rate
MOVIE FUNCTIONS
Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI)Recording SystemLOCATION INFORMATION LINK FROM SMARTPHONEYesMEDIASD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory cardMEMORY CARD SLOTSLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A cardRECORDING MODE ON 2 MEMORY CARDSSimult. Rec, Sort, Auto Switch Media, Copy
Noise Reduction
NOISE REDUCTION
Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off
White Balance
WHITE BALANCE MODES
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
SHUTTER AWB LOCK 
Yes (Shut. Halfway Down / Cont. Shooting / Off)
Focus
FOCUS TYPE
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS SENSOR
Exmor R CMOS sensor
FOCUS POINT
35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)
FOCUS SENSITIVITY RANGE
EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
FOCUS MODE
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
FOCUS AREA
Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
EYE AF
[Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)
OTHER FEATURES
Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point
AF ILLUMINATOR
Yes (with Built-in LED type)
AF ILLUMINATOR RANGE
Approx. 0.3m – approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)
FOCUS TYPE WITH LA-EA3 (SOLD SEPARATELY)
Phase-detection
Exposure
METERING TYPE
1200-zone evaluative metering
METERING SENSOR
Exmor R CMOS sensor
METERING SENSITIVITY
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
METERING MODE
Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight
EXPOSURE COMPENSATION
+/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps))
EXPOSURE BRACKETING
Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
AE LOCK
Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
EXPOSURE MODES
AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
ISO SENSITIVITY (RECOMMENDED EXPOSURE INDEX)
Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)
ANTI-FLICKER SHOOT.
Yes
SCENE SELECTION
–
Viewfinder
VIEWFINDER TYPE
1.6 cm (0.64 type) electronic viewfinder (color)
NUMBER OF DOTS
9 437 184 dots
FIELD COVERAGE
100%
MAGNIFICATION
Approx. 0.90 x (with 50mm lens at infinity, -1m-1)
DIOPTRE ADJUSTMENT
-4.0 to +3.0m-1
EYE POINT
Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1 (CIPA standard)
DISPLAY FUNCTION
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC
FINDER FRAME RATE SELECTION
NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
LCD Screen
MONITOR TYPE
7.5cm (3.0-type) type TFT
NUMBER OF DOTS
1,440,000 dots
TOUCH PANEL
Yes
BRIGHTNESS CONTROL
Manual (5 steps between -2 and +2), Sunny Weather mode
ADJUSTABLE ANGLE
Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
FOCUS MAGNIFIER
Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
Other Features
PLAYMEMORIES CAMERA APPS™
–
CLEAR IMAGE ZOOM
Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD)
DIGITAL ZOOM
Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: M:Approx. 1.3x, S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x, APS-C: L:Approx. 4x, M:Approx. 5.2x, S:Approx. 8x,Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x
FACE DETECTION
Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
SELF-PORTRAIT SELF-TIMER
–
OTHERS
Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate
Shutter
TYPE
Electronically-controlled, vertical-traverse, focal-plane type
SHUTTER TYPE
Mechanical shutter/Electronic shutter
SHUTTER SPEED
Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
FLASH SYNC. SPEED
1/250 sec.
ELECTRONIC FRONT CURTAIN SHUTTER
Yes (ON/OFF)
SILENT SHOOTING
Yes (ON/OFF)
Image Stabilization
TYPE
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
COMPENSATION EFFECT
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
Flash Control
TYPE
–
GUIDE NO.
–
FLASH COVERAGE
–
CONTROL
Pre-flash TTL
FLASH COMPENSATION
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
FLASH MODES
Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.
RECYCLING TIME
–
EXTERNAL FLASH COMPATIBILITY
Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
FE LEVEL LOCK
Yes
WIRELESS CONTROL
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Drive
DRIVE MODES
Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
CONTINUOUS DRIVE SPEED (APPROX. MAX.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
NO. OF RECORDABLE FRAMES (APPROX.)
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames
SELF-TIMER
10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-timer
PIXEL SHIFT MULTI SHOOTING
–
Playback
PHOTO CAPTURE
Yes
MODES
Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group
Interface
PC INTERFACE
Mass-storage / MTP
MULTI / MICRO USB TERMINAL
Yes, Type-C® Terminal (SuperSpeed USB 5Gbps(USB 3.2) compatible)
BLUETOOTH
Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))
MULTI INTERFACE SHOE
Yes (with Digital Audio Interface)
MIC TERMINAL
Yes (3.5 mm Stereo minijack)
SYNC TERMINAL
–
HEADPHONE TERMINAL
Yes (3.5 mm Stereo minijack)
VERTICAL GRIP CONNECTOR
Yes
LAN TERMINAL
–
SONY A7 III FUNCTIONS
FTP Transfer Func.,View on Smartphone,Remote control via Smartphone,NFC One-touch remote,PC Remote,BRAVIA Sync (Control for HDMI),PhotoTV HD
Audio
MICROPHONE
Built-in, stereo
SPEAKER
Built-in, monaural
Print
COMPATIBLE STANDARDS
Exif Print, Print Image Matching III
Custom Function
TYPE
Custom key settings,Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set
Lens Compensation
SETTING
Peripheral Shading, Chromatic Aberration, Distortion
Power
SUPPLIED BATTERY
One rechargeable battery pack NP-FZ100
BATTERY LIFE (STILL IMAGES)
Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)
BATTERY LIFE (MOVIE, ACTUAL RECORDING)
Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor) (CIPA standard)
BATTERY LIFE (MOVIE, CONTINUOUS RECORDING)
Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)
INTERNAL BATTERY CHARGE
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
POWER CONSUMPTION WITH VIEWFINDER
Still images: Approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)
POWER CONSUMPTION WITH LCD SCREEN
Still images: Approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)
USB POWER SUPPLY
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Others
OPERATING TEMPERATURE
32 – 104 degrees F / 0 – 40 degrees C
Size & Weight
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
Approx. 699 g, approx. 1 lb 8.7 oz
Sony a7 III DIMENSIONS (W X H X D)
Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

Lumix S5

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Digital Cameras
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0
Panasonic-Lumix-S5

Panasonic Lumix S5 Review

Panasonic Lumix S5
Panasonic Lumix S5 Front

Compact Hybrid Body Design


All of these capabilities are housed in an amazingly tiny and lightweight housing, which also includes a full-frame image sensor and 10-bit 4K 60p/50p recording, as well as 14+ stops of V-Log.

CMOS sensor with 24.2MP resolution and Dual Native ISO technology


While taking both still shots and movies, the 24.2MP CMOS Sensor provides excellent sensitivity while also producing high-quality images. The use of Dual Native ISO technology* considerably improves the video quality.

Various Recording Modes are available.


Recording modes include 4K 60p/50p* 4:2:0 10-bit, C4K*/4K 30p/25p, and 4K 60p/50p 4:2:0 10-bit to meet a broad variety of requirements. 4:2:2 10-bit — plus 4K 8-bit — with no restriction on the amount of time that may be spent capturing video.

HDMI (High Definition Multimedia Interface) Output


When using the 10-bit option, 4:2:2 10-bit HDMI output is possible, as is simultaneous recording to an external disk or SD card using the 10-bit setting.

Video Data Output in RAW Format


With the firmware upgrade version 2.0, the Atomos Ninja V 4K HDR monitor-recorder can output up to 29.97p 5.9K (5888×3312, 16:9) / 59.94p 4K (4128×2176, 17:9) and Anamorphic 3.5K (3536×2656, 4:3) 12-bit RAW video data via HDMI, which may be saved as Apple ProRes RAW on the Ninja V.

Buy a Lumix X5 on Amazon Today
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Panasonic Lumix S5 Specifications

Type
Digital Single Lens Mirrorless camera
Recording media
SD Memory Card / SDHC Memory Card / SDXC Memory Card
Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.
Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards.
Lens mount
L-Mount
IMAGE SENSOR
Type
35mm full-frame (35.6mm x 23.8mm) CMOS sensor
Camera effective pixels / Total pixels
24.20 megapixels / 25.28 megapixels
Aspect ratio / Color filter
3:2 / Primary color filter
Dust reduction system
Image sensor shift type
LATITUDE
LATITUDE
14+ stops (V-Log)
STILL IMAGE
Recording file format
Still image
JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072)
6K PHOTO** / 4K PHOTO**
6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
Extracted still images: JPEG (DCF, Exif 2.31)
Aspect ratio
4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File size (Pixels)
When using full-frame lenses 3:2
6000×4000(L) / 4272×2848(M) / 3024×2016(S) / 12000×8000(XL)* / 8496×5664(LL)* *High Resolution Mode.
5184×3456(6K PHOTO) / 3504×2336(4K PHOTO) / 5984×4000(HLG PHOTO, Full-Res.) / 3232×2160(HLG PHOTO, 4K-Res.)
When using full-frame lenses 4:3
5328×4000(L) / 3792×2848(M) / 2688×2016(S) / 10656×8000(XL)* / 7552×5664(LL)* *High Resolution Mode.
4992×3744(6K PHOTO) / 3328×2496(4K PHOTO) / 5312×3984(HLG PHOTO, Full-Res.) / 2880×2160(HLG PHOTO, 4K-Res.)
When using full-frame lenses 16:9
6000×3368(L) / 4272×2400(M) / 3024×1704(S) / 12000×6736(XL)* / 8496×4784(LL)* *High Resolution Mode.
3840×2160(4K PHOTO) / 5888×3312(HLG PHOTO, Full-Res.) / 3840×2160(HLG PHOTO, 4K-Res.)
When using full-frame lenses 1:1
4000×4000(L) / 2848×2848(M) / 2016×2016(S) / 8000×8000(XL)* / 5664×5664(LL)* *High Resolution Mode.
2880×2880(4K PHOTO) / 4000×4000(HLG PHOTO, Full-Res.) / 2144×2144(HLG PHOTO, 4K-Res.)When using full-frame lenses 65:246000×2208(L)When using full-frame lenses 2:16000×3000(L)When using APS-C/Super 35mm lenses 3:23984×2656(L) / 2880×1920(M) / 2064×1376(S) / 3504×2336(4K PHOTO)When using APS-C/Super 35mm lenses 4:33536×2656(L) / 2560×1920(M) / 1840×1376(S) / 3328×2496(4K PHOTO)When using APS-C/Super 35mm lenses 16:93984×2240(L) / 2880×1624(M) / 1920×1080(S) / 3840×2160(4K PHOTO)When using APS-C/Super 35mm lenses 1:12656×2656(L) / 1920×1920(M) / 1376×1376(S) / 2880×2880(4K PHOTO)Image qualityRAW / RAW+Fine / RAW+Standard / Fine / StandardColor spacesRGB, AdobeRGBMOTION PICTURERecording file formatMOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit))MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))Switch NTSC / PALYes (NTSC (59.94Hz) / PAL(50.00Hz))MOV**NTSC (59.94Hz) Full-frame
[C4K] 4096×2160**** 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[C4K] 4096×2160**** 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[4K] 3840×2160 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[4K] 3840×2160 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
NTSC (59.94Hz) APS-C / Pixel by Pixel
[C4K] 4096×2160**** 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[C4K] 4096×2160**** 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[C4K] 4096×2160**** 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[4K] 3840×2160 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable.
[4K] 3840×2160 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[4K] 3840×2160 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[4K] 3840×2160 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[Anamorphic 4K] 3328×2496 (4:3) 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[Anamorphic 4K] 3328×2496 (4:3) 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
PAL (50.00Hz) Full-frame
[C4K] 4096×2160**** 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[4K] 3840×2160 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
PAL (50.00Hz) APS-C / Pixel by Pixel
[C4K] 4096×2160**** 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[C4K] 4096×2160**** 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[4K] 3840×2160 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable.
[4K] 3840×2160 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[4K] 3840×2160 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[Anamorphic 4K] 3328×2496 (4:3) 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable.
[Anamorphic 4K] 3328×2496 (4:3) 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
[Anamorphic 4K] 3328×2496 (4:3) 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
[FHD] 1920×1080 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable.
MP4**
NTSC (59.94Hz) Full-frame
[4K] 3840×2160 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[4K] 3840×2160 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
NTSC (59.94Hz) APS-C / Pixel by Pixel
[4K] 3840×2160 59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[4K] 3840×2160 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
PAL(50.00Hz) Full-frame
[4K] 3840×2160 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
PAL(50.00Hz) APS-C / Pixel by Pixel
[4K] 3840×2160 50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable.
[4K] 3840×2160 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)HDMI RAW DATA OUTPUT****Compatible external devicesATOMOS Ninja V 4K HDR Monitor-Recorder (AtomosOS 10.55 or higher)* *Firmware must be updated to version 2.0 or later.
Blackmagic Video Assist 5″ 12G HDR, Blackmagic Video Assist 7″ 12G HDR (version 3.43 or higher)* *Firmware must be updated to version 2.3.
*This does not guarantee all of the capabilities that the compatible external recorder may have.
Rec quality
NTSC (59.94Hz) Full-frame
[5.9K] 5888×3312 29.97p, 12-bit (LPCM)
[5.9K] 5888×3312 23.98p, 12-bit (LPCM)
NTSC (59.94Hz) APS-C
[4K] 4128×2176 (17:9) 59.94p, 12-bit (LPCM)
[4K] 4128×2176 (17:9) 29.97p, 12-bit (LPCM)
[4K] 4128×2176 (17:9) 23.98p, 12-bit (LPCM)
[Anamorphic 3.5K] 3536×2656 (4:3) 29.97p, 12-bit (LPCM)
[Anamorphic 3.5K] 3536×2656 (4:3) 23.98p, 12-bit (LPCM)
PAL (50.00Hz) Full-frame
[5.9K] 5888×3312 25.00p, 12-bit (LPCM)
PAL (50.00Hz) APS-C
[4K] 4128×2176 (17:9) 50.00p, 12-bit (LPCM)
[4K] 4128×2176 (17:9) 25.00p, 12-bit (LPCM)
[Anamorphic 3.5K] 3536×2656 (4:3) 50.00p, 12-bit (LPCM)
[Anamorphic 3.5K] 3536×2656 (4:3) 25.00p, 12-bit (LPCM)
Audio format
LPCM (2ch 48kHz/16-bit)
SLOW & QUICK
MP4**
NTSC (59.94Hz) Full-frame
[FHD] 1920×1080 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps
*Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more.
NTSC (59.94Hz) APS-C / Pixel by Pixel
[4K] 3840×2160 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[4K] 3840×2160 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60 fps
PAL (50.00Hz) Full-frame
[FHD] 1920×1080 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
[FHD] 1920×1080 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps
*Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more.
PAL (50.00Hz) APS-C / Pixel by Pixel
[4K] 3840×2160 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
1, 2, 5, 10, 15, 30, 60 fps
VIEWFINDER
Type
OLED Live View Finder
Pixels
Approx. 2.36 million dots
Field of view / Magnification
Approx. 100% / Approx. 0.74x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2
Eye point / Diopter adjustment
Approx. 20 mm at infinity; -1.0 m-1 / -4.0 – +4.0 (dpt)
Eye sensor
Yes
Display speed
120fps / 60fps
Display time lag
Approx. 0.005sec
REAR MONITOR
Type
TFT LCD monitor with static touch control
Monitor size
Free-angle, 3.0-inch (7.5cm), 3:2 aspect
Pixels
Approx. 1.84 million dots
Field of view
Approx. 100%FOCUSTypeContrast AF systemDFD technologyYesFocus modeAFS (Single) / AFC (Continuous) / MFAF modeAuto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+* / 1-Area* / Pinpoint / Custom 1, 2, 3(Full area touch is available) (Scalable AF frame size and flexible AF position) *Human/Animal Detection AF can be set ON or OFF.****AF detective rangeEV -6 – 20 (F1.4, ISO100 equivalent, AFS)AF custom settingAF Sensitivity, AF Area Switching Sensitivity, Moving Object PredictionAF assist lampYesAF lockSet the Fn button in custom menu to AF lockPost Focus / Focus StackingYes / YesOthersAF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode, 1-Area AF Moving Speed, Loop Movement Focus Frame, AFC Start Point (225-Area), Lens Focus Resume, Focus Ring ControlEXPOSURE CONTROLLight metering system1,728-zone multi-pattern sensing systemLight metering modeMultiple / Center Weighted / Spot / Highlight WeightedMetering rangeEV0-18 (F2.0 lens, ISO100 equivalent)Exposure modeProgram AE / Aperture Priority AE / Shutter Priority AE / Manual ExposureISO sensitivity (Standard output sensitivity)Auto / 50* / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISODual Native ISO
[Normal]
Native ISO: 100, 640
Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
[V-Log]
Native ISO: 640, 4000
Auto: Auto / 320* / 640-51200 *Extended ISO
[HLG]
Native ISO: 400, 2500
Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
[Cinelike D2 / Cinelike V2]
Native ISO: 200, 1250
Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
Exposure compensation
1/3 EV step ±5EV (±3EV for motion picture)
AE lock
Set the Fn button in custom menu to AE lock
IMAGE STABILIZATION SYSTEM
IMAGE STABILIZATION SYSTEM
Image sensor shift type (5-axis / 5.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
Dual I.S. (6.5-stop* Dual I.S. 2 compatible) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]
WHITE BALANCE
White balance
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment
Blue/Amber bias, Magenta/Green bias
Color temperature setting
2500-10000K in 100K
SHUTTER
Type
Focal-plane shutter
Shutter speed
Still image: Bulb (Max. 30 minutes), 1/8,000 – 60Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 – 60
Electronic shutter: Bulb (Max. 60 sec), 1/8,000 – 60
Motion picture: 1/16,000 – 1/25
Creative Video M mode / MF mode: 1/16,000 – 1/2
Self timer
10sec, 3 images / 2sec / 10sec
Remote control
Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)
BRACKET
AE bracket
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket
3, 5 or all positions in 1 EV step
Focus bracket
1 to 999 images, focus steps can be set in 10 levels
White balance bracket
3 images in blue/amber axis or in magenta/green axis, color temperature setting
BURST SHOOTING
Burst speed
Mechanical shutter / Electronic front curtain shutter
AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Electronic shutter
AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Number of recordable images
RAW / RAW+JPEG: More than 24 images
JPEG: More than 999 images (When using a card with SD Speed Class with “UHS-II UHS Speed Class 3 (U3)” inserted into card slot 1.)
* When recording is performed under the test conditions specified by Panasonic.
6K PHOTO** / 4K PHOTO**
Burst speed
6K PHOTO: 30 frames/sec
4K PHOTO: 60 frames/sec, 30 frames/sec
Exif information
Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.)
FLASH
Flash type
TTL External Flash (sold separately)
Flash mode
Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization
1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment
1/3EV step ±3EV
Synchronization speed
Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode.
Wireless control
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
EXTRA TELE CONVERSION
EXTRA TELE CONVERSION
2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording.
PHOTO STYLE
Photo Style
Standard / Vivid / Natural / L. Classic Neo**** / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S**** / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Standard (HLG) / Monochrome (HLG) / Like2100 (HLG) / My Photo Style 1-10
Picture adjustment
Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise**** / Sharpness / Noise Reduction / ISO / WB
*Adjustable settings vary depending on the Photo Style mode.
FILTERFILTERExpressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine**For photos only.
MOTION PICTURE FUNCTION
Vertical Position Information*
ON / Off *Firmware must be updated to version 2.2 or later.
Master pedestal level****
31 steps
Luminance level
8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023
Wave form monitor / Vectorscope****
Selectable
LUT display
LUT View Assist (Monitor) / LUT View Assist (HDMI)
Time code
Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.)
SS/Gain operation****
Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Knee control
Yes (in Like709 mode)
FUNCTION BUTTON
REC
Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / HLG Photo / High Resolution Mode / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / AF Mode / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot “6K/4K PHOTO” / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Live View Composite / Post-Focus / Motion Pic. Rec File Format / Motion Pic. Rec Quality / Slow & Quick Setting / Time Code Display / Sound Rec Level Disp. / Sound Rec Level Adj. / Sound Rec Level Limiter / Special Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Live Cropping / Q.MENU / Rec / Playback Switch / Video Record / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Style / Photo/Video Preview / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope**** / Anamorphic Desqueeze Display / Focus Ring Control/ Zoom Control / Destination Card Slot / Wi-Fi / No Setting / Restore to Default
PLAY
Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Off (Disable Press and Hold) / Restore to Default
LEVEL GAUGE
LEVEL GAUGE
Yes
OSD LANGUAGE
OSD LANGUAGE
English, Chinese (Traditional), Chinese (Simplified), Thai, Arabic, Persian, Vietnamese, Hindi
PRINT
PRINT
PictBridge compatible
INTERFACE
USB
SuperSpeed USB 3.1 Gen1 Type-C
HDMI***
Monitor-through
When a mode other than [C4K/60p]****/[C4K/50p]****/[4K/60p]/[4K/50p] is selected for [Picture Quality]:
4:2:2 10bit, 4:2:2 8bit, 4:2:0 8bit
When [C4K/60p]****/[C4K/50p]****/[4K/60p]/[4K/50p] mode is selected in [Rec Quality]:4:2:2 10bit*, 4:2:0 8bit *When 4:2:2 10bit mode is selected, it is not possible to record motion picture or still picture on the memory card in the camera unit.
Info Display: ON / OFF (selectable)
HLG View Assist (HDMI): AUTO / MODE1 / MODE2 / OFF (selectable)
Playback
microHDMI TypeD / VIERA Link, Audio: Stereo
NTSC (59.94Hz): Auto / C4K/60p**** / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p
PAL (50.00Hz): Auto / C4K/50p**** / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p
Remote input
φ2.5mm
External microphone / external audio device input
φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE is selectable.
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately).
Headphone output
φ3.5mm
Microphone
Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately).
XLR microphone
Yes with DMW-XLR1 (sold separately)
Speaker
Monaural
SD card slot
SD Memory Card, SDHC Memory Card, SDXC Memory Card
Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.
Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards.
WIRELESS
Wi-Fi
2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
5GHz bands (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries.
1-13, 36, 40, 44, 48, 52, 56, 60, 64 ch
Bluetooth
Bluetooth® v4.2 (Bluetooth Low Energy (BLE))
DUST AND SPLASH RESISTANT
DUST AND SPLASH RESISTANT*
Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
POWER
Battery
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging
Battery life (CIPA standard)
Approx. 440 images (rear monitor), 470 images (LVF), 1,500 images (Power Save LVF mode*) with S-R2060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Continuous recordable time (Motion picture)**
MP4 [4K/60p]: Approx. 110 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged.
MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 100 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged.
Actual recordable time (Motion picture)**
MP4 [4K/60p]: Approx. 55 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged.
MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 50 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged.
Battery grip
DMW-BGS5 (sold separately)
DIMENSIONS / WEIGHT
Dimensions (W x H x D)
Approx. 132.6 x 97.1 x 81.9 mm / 5.22 x 3.82 x 3.22 inch (excluding protrusions)
Weight
Approx. 714g / 1.58 lb (SD Memory Card x 1, Battery, Body)
Approx. 630g / 1.39 lb (Body only)
OPERATING ENVIRONMENT
Operating temperature
0oC to 40oC (32oF to 104oF)
Operating humidity
10%RH to 80％RH
STANDARD ACCESSORIES
Software
Recording
LUMIX Tether
・ This software is used to control a Panasonic digital camera from a PC. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
Playback / Editing
・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.1PE is available for download at Panasonic website using computer connected to the Internet.
https://panasonic.jp/support/global/cs/soft/download/d_pfs1001pe.html(For Windows)
・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory’s website using computer connected to the Internet.
http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)
Standard accessories
DC-S5 Kit
Body Cap, Hot Shoe Cover, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, USB Connection Cable (A-C)
・ The DC-S5 Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.
NOTE
NOTE
** About motion picture recording / 6K PHOTO/4K PHOTO recording
– 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx. 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.
– Use a card with SD Speed Class with “”Class 4″” or higher when recording motion pictures in [MP4 (under 28Mbps)].
– Use a card with SD Speed Class with “”UHS-I / UHS-II UHS Speed Class 3 (U3)”” when recording motion pictures with [MP4] in [4K], [MOV], [S&Q], [6K PHOTO] or [4K PHOTO].
(SD speed class is the speed standard regarding continuous writing.)
– Recording stops when the continuous recording time exceeds 30 minutes in [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] [4K-A/50p] [C4K/4:2:2 10-bit] [4K/4:2:2 10-bit] [4K-A/4:2:2 10-bit] [4K/4:2:0 10-bit] [4K-A/4:2:0 10-bit] [S&Q].
– Recording stops when the continuous recording time exceeds 15 minutes in [6K PHOTO] [4K PHOTO].
– Motion pictures with [MP4] in [4K] or [MOV]:
– When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes, but the motion picture file will be divided and recorded/played back separately.
– When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately.
– Motion pictures with [MP4] in [FHD]:
– You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.
– MOV motion picture with [MOV]
– When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes, but the motion picture file will be divided and recorded/played back separately.
– When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately.
– 4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC.
The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player.
It may cause problems such as freezing when played on these devices.
– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down.
*** For [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as””4K compatible””.
**** Firmware must be updated to version 2.0 or later.

Canon EOS R5

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Digital Cameras
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Canon EOS R5

Canon EOS R5 8K Quality Video Recording

Canon EOS R5 announced July 9, 2020 a first in a Canon camera, the EOS R5 offers revolutionary 8K quality video recording, which is available for the first time in a Canon camera. This flagship model, the EOS R5, features all-new Animal Detection AF as well as powerful In-Body Image Stabilization that can achieve up to 8 stops of stabilization for edge-to-edge high-quality images and video made possible by the RF mount. Experience the best of Canon’s full-frame mirrorless series with this flagship model — the EOS R5.

Watch Canon EOS R5 – Designed for Visionaries YouTube video (Introduction Movie)

45MP CMOS Sensor & DIGIC X

All RF lenses are compatible with this camera’s 45 megapixel full-frame CMOS sensor and high-quality photographs may be taken with the EOS R5.

With the newest DIGIC X image processor, the EOS R5 is able to handle high-speed photography, 8K video, and other amazing accomplishments with ease.

Canon EOS R5
Canon EOS R5 Body

Up to 20 FPS Burst Shooting

The burst shooting capabilities of up to 20 fps allow you to capture desired and unexpected moments. All of your images will be clear and focused thanks to AF/AE tracking.

Weddings, athletic events, and animals may all benefit from the quiet shutter.

HDR PQ HEIF 10-Bit Recording

Without the need for post-processing, capture photographs with more color and tone information than normal JPEG.

Compatible monitors and HDR-compatible printers can show and print HEIF files. Digital Photo Professional, whether on the camera or on another device, makes it simple to convert these images to a JPEG format that looks like HDR-PQ.

Canon EOS R5 – Fast & Precise Autofocus (AF)

Dual Pixel CMOS AF II

The new Dual Pixel CMOS AF II improves autofocus performance by locking focus fast and accurately.

There has been an increase in the area covered by the autofocus system.

With up to 5,940 manually selectable AF points, and up to 1,053 AF frame segments in the AF auto-area selection settings, this allows for additional freedom in picture composition.

Eye, Face & Head Detection

Like the EOS-1D X Mark III, the EOS R5 uses powerful algorithms to recognize and follow a person’s eye, face, or head even when the subject is far away or looking away from a camera.

Animal Detection AF

With the EOS R5’s ability to recognize and follow the eyes, faces, and bodies of cats, dogs, and even birds, taking images of nature or your pet has never been simpler.

Outstanding Low-light Performance

Excellent low-light performance is a trademark of the Canon RF system, and the EOS R5 continues this tradition with an ISO range of 100 to 51200 (extendable to 50-102,400) and low luminance AF sensitivities as low as +6EV.

Canon EOS R5 – Unparalleled Movie Recording Performance

Canon EOS R5 Rear
Canon EOS R5 Rear

8K Video

In a first for 8K RAW/DCI, you can now record movies without cropping utilizing the complete sensor width.

With four times as many pixels as 4K recordings, not only do you receive more realistic and lifelike footage, but you also have more creative freedom in editing your videos, such as the ability to pan, zoom, and crop without reducing quality.

8K Frame Grab

An 8K DCI video recorded at 30p is similar to conducting continuous shooting at 30 frames per second, thus you can capture a high-quality still picture with a resolution of around 35.4MP.

4K High Frame Rate Video

With 120p/100p (NTSC/PAL) high frame rate movies in breathtaking 4K DCI/UHD quality, you can relive each exciting moment in slow motion.

Canon Log

Canon Log, a fundamental component of the Cinema EOS System, allows you to shoot up to 12 stops of dynamic range in your movie film.

Post-processing can now better handle shadows, highlights, and color saturation, resulting in richer, more detailed video even in scenarios with a lot of contrast.

HDR PQ

Achieve realistic photos without the need for color grading and simplify the post-production process with improved brightness and a broader range of color and contrast gradation.

HDR PQ video may be watched on devices that support HDR PQ.

Zebra Display

Zebra Display, a striped pattern overlay over overexposed portions when seen via the electronic viewfinder (EVF) or Vari-angle LCD screen, gives you greater control over exposure and highlights while shooting movies.

Additional heat management information

The maximum recording time before the camera overheats is 20 minutes at 8K (RAW, DCI, or UHD) video quality.

The maximum recording period before the camera overheats is 35 minutes at 4K 60fps (DCI, UHD) video quality.


The preceding is based on the camera recording from a chilly start and an ambient temperature of 23°C. The length of the recording may be reduced if the camera’s or the surrounding environment’s temperature rises.

Get the Canon EOS R5 on Amazon Today
OFX

Canon EOS R5 Powerful Image Stabilisation

In-Body Image Stabilizer X Optical Image Stabilizer

Even with a reduced shutter speed, the EOS R5’s innovative 5-axis In-Body Picture Stabilizer corrects image blur caused by camera shaking.

Optical Image Stabilizer in the lens also works in parallel with this, providing stability comparable to shooting at a shutter speed of up to 8 stops* quicker, allowing for greater low-light handheld shooting, super-telephoto and long exposure photography.

Canon EOS R5 – Movie digital IS

With the addition of Movie digital IS, the camera’s stability is further enhanced to eliminate blurry and unstable film, even while shooting while moving or holding the camera in your hands.

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Dual Card Slots

Dual card ports, one for SD cards* and the other for CFexpress (Type B) cards, quadruple your EOS R5’s memory capacity, which is notably useful for 8K recording and high-speed burst photography.

The following cards are supported: *SDHC, *SDXC (UHS-II compatible)

Shutter Durabilit

Continuous shooting at high speeds need a stronger shutter. Canon’s EOS R5 includes a 500,000-cycle shutter mechanism, which means you may take advantage of rapid shooting without fear.

When the computer is turned off, the shutter curtain may be closed to keep dust out. It is also possible to leave it open during power-up in order to avoid any noise, particularly while practicing quiet shooting.

Strong & Durable

In order to keep dust and moisture out of the body, the magnesium alloy body has been reinforced with weather seals, which are located in crucial regions.

Canon EOS R5 has a High Battery Capacity

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Allowing you to shoot more and accomplish more with the EOS R5, the LP-E6NH battery has a higher capacity of 2130mAh.

The BG-R10 battery grip, which holds two battery slots and makes it simpler to hold the camera vertically, is also compatible with the camera.

Improved Ergonomics

The multi-three controller’s AF sensitivity settings make it simple to pick an AF point.

The EOS 5D series’ three dials—one main dial and two quick control dials—find a home on the EOS R5 for the sake of simplicity and speed.

High-Precision EVF

Ultra-telephoto photos benefit from the electronic viewfinder’s bright and crisp images even at f/22’s high resolution resolution of about 5.76 million dots.

119.88 fps display frame rate for quicker reaction time to handle burst shooting is also available.

Buy the Canon EOS R5 on Amazon

Canon EOS R5 firmwave v1.5.0 changelog posted, download available soon

Firmware updates for Nikon Z50, Z5, Z6, Z7 cameras, Nikkor Z 70-200mm f/2.8 lens, and WR-1 remote controller released

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Digital Cameras
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Nikon just released new firmware updates for the Z50, Z5, Z6, Z7 mirrorless cameras, the Nikkor Z 70-200mm f/2.8 lens, and the WR-1 wireless remote controller:

Nikon Z50 Firmware Version 2.20

Added support for:

FTZ II mount adapters, and
NIKKOR Z 24-120mm f/4 S lenses.

Improved face/eye detection performance and the visibility of subjects in pictures taken using an optional flash unit.

Nikon Z5 Firmware Version 1.20

Added support for:

FTZ II mount adapters, and
NIKKOR Z 24-120mm f/4 S lenses.

Improved face/eye detection performance and the visibility of subjects in pictures taken using an optional flash unit.

Nikon Z6 Firmware Version 3.40

Added support for:

FTZ II mount adapters, and
NIKKOR Z 24-120mm f/4 S lenses.

Flicker is less likely to appear in the display during filming when N-Log or RAW footage is recorded to external HDMI video recorders at low light levels.
Improved eye detection performance for Auto-area AF and Wide-area AF (L).
Increased the refresh rate for the focus point displayed during face/eye-detection and subject-tracking AF.
Improved face/eye detection performance and the visibility of subjects in pictures taken using an optional flash unit.
Fixed the following issues:

The camera would sometimes stop responding when Auto was selected for Set Picture Control in the PHOTO SHOOTING MENU.
The camera would sometimes exceed the value selected for ISO sensitivity settings > Maximum sensitivity in the MOVIE SHOOTING MENU.

Nikon Z7 Firmware Version 3.40

Added support for:

FTZ II mount adapters, and
NIKKOR Z 24-120mm f/4 S lenses.

Flicker is less likely to appear in the display during filming when N-Log or RAW footage is recorded to external HDMI video recorders at low light levels.
Improved eye detection performance for Auto-area AF and Wide-area AF (L).
Increased the refresh rate for the focus point displayed during face/eye-detection and subject-tracking AF.
Improved face/eye detection performance and the visibility of subjects in pictures taken using an optional flash unit.
Fixed the following issues:

The camera would sometimes stop responding when Auto was selected for Set Picture Control in the PHOTO SHOOTING MENU.
The camera would sometimes exceed the value selected for ISO sensitivity settings > Maximum sensitivity in the MOVIE SHOOTING MENU.

NIkkor Z 70-200mm f/2.8 VR S Firmware Version 1.20

Added support for the following features when the lens is mounted on a Z 9:

Camera and lens VR are synchronized for improved vibration reduction (synchro VR).
When an option other than Non-linear is selected for Custom Setting f9 (Focus ring rotation range), the focus ring responds linearly to focus changes between the minimum focus distance and infinity, regardless of the speed with which the ring is rotated.

Fixed an issue that in rare instances would result in hybrid autofocus halting at the minimum focus distance during contrast-detect AF.

Nikon WR-1 Firmware Version 1.04

Added support for the Z 9. When used with the Z 9, the product supports display and selection of shutter speeds as fast as 1/32,000.


The post Firmware updates for Nikon Z50, Z5, Z6, Z7 cameras, Nikkor Z 70-200mm f/2.8 lens, and WR-1 remote controller released appeared first on Nikon Rumors.

Related posts:

Nikon announced firmware updates for the Z7II, Z6II, Z7, Z6, Z5, and Z50 mirrorless cameras
Firmware updates version 3.20 for Nikon Z6 and Z7 cameras and a new Webcam Utility released
New firmware updates for the Nikon Z6 II and Z7 II cameras released

This software update program is for the customer-owned product listed above (the “affected product”), and is provided only on acceptance of the agreement listed below. By selecting “Accept” and clicking “Download”, you are held to have accepted the terms and conditions of the agreement. Be sure you understand the terms of the agreement before beginning download.

• This service supplies software that can be used to update the Z 5 camera “C” firmware to version 1.20. Before proceeding, select Firmware version in the camera SETUP MENU and check the camera firmware version. You will not need to download or install this update if the firmware listed above is already installed.• This update includes all changes made in previous updates.• Updates can be performed for you by a Nikon-authorized service representative.• Read the information below before proceeding.

Changes from “C” Firmware Version 1.11 to 1.20

  • • Added support for:
  • • Improved face/eye detection performance and the visibility of subjects in pictures taken using an optional flash unit.

Changes from Previous Versions

• Addressed an issue that would in rare circumstances result in unusually loud noises from the aperture mechanism when the zoom or focus rings on F mount lenses connected via an FTZ mount adapter were rotated.

Changes from “C” Firmware Version 1.02 to 1.10

• Added support for NIKKOR Z MC 50mm f/2.8 and NIKKOR Z MC 105mm f/2.8 VR S lenses.• A Save focus position option has been added to the SETUP MENU. If On is selected, the focus position in effect when the camera is turned off will be restored when the camera is next turned on. This option applies only when the camera is used with Z mount autofocus lenses.• Improved low-light autofocus detection times for Custom Setting a11 (Low-light AF).

Changes from “C” Firmware Version 1.01 to 1.02

• Added support for NIKKOR Z 50mm f/1.2 S lenses.• Fixed an issue that resulted in certain aperture values not being selected when control rings for the following lenses were rotated to stop aperture down in movie mode:- NIKKOR Z 24–50mm f/4–6.3- NIKKOR Z 24–200mm f/4–6.3 VR- NIKKOR Z DX 16–50mm f/3.5–6.3 VR- NIKKOR Z DX 50–250mm f/4.5–6.3 VR• Fixed an issue that prevented the TTL flash compensation value selected with the camera being reflected by the flash units, resulting in flash compensation not being applied, when:- two or more flash units were controlled via radio AWL, and- all flash units were in the same group.

Changes from “C” Firmware Version 1.00 to 1.01

• Fixed an issue that occurred when the camera was used with an MB-N10 battery pack with two batteries installed and an EN-EL15 or EN-EL15a in Chamber A, namely that the camera would sometimes fail to switch to the battery in Chamber B when the battery in Chamber A was exhausted.

Viewing the Camera Firmware Version

  1. Turn the camera on.
  2. Press the camera MENU button and select Firmware version in the SETUP MENU to display the camera firmware version.
  3. Check the camera firmware version.
  4. Turn the camera off.

Product Description

ameZ 5 “C” Firmware Version 1.20
Supported camerasZ 5
Supported camera firmware versions“C” firmware versions 1.00–1.11
File nameF-Z5-V120W.exe
System requirementsMicrosoft Windows 10 HomeMicrosoft Windows 10 ProMicrosoft Windows 10 EnterpriseMicrosoft Windows 8.1Microsoft Windows 8.1 ProMicrosoft Windows 8.1 EnterpriseNote: A computer and card reader are required.
CopyrightNikon Corporation
Archive typeSelf-extracting
ReproductionNot permitted

Updating the Camera Firmware

  1. Create a folder on the computer hard disk and name it as desired.
  2. Download F-Z5-V120W.exe to the folder created in Step 1.
  3. Run F-Z5-V120W.exe to extract the following file to a folder named “Z5Update”:
    • Z_5_0120.bin (the camera firmware)
  4. Using a card reader, copy “Z_5_0120.bin” to a memory card that has been formatted in the camera.
    Note: Be sure to copy the firmware to the root (top-most) directory of the memory card. The camera will not recognize the new firmware if it is placed in a folder under the root directory.
  5. Insert the memory card into the camera and turn the camera on.
  6. Select Firmware version in the SETUP MENU and follow the on-screen instructions to complete the firmware update.
  7. Once the update is complete, turn the camera off and remove the memory card.
  8. Confirm that the firmware has been updated to the new version.
Note: For detailed instructions or information on the equipment needed to complete the update, download the following pdf file:
Z-series_FirmUp_Win_En.pdf (PDF) (0.30 MB)Note: Updates can be performed for you by a Nikon-authorized service representative.

Nikon Coolpix P1000 Review

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Digital Cameras
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Nikon-Coolpix-P1000

In this post we look at some of the key questions asked by the end user looking at the Coolpix P1000

Nikon Coolpix P1000

The Nikon CoolPix P1000 comes with 4K Ultra HD video, RAW (NRW), macro, time-lapse, and so much more are all included in one incredible camera.
Imagine being able to capture not just the moon, but also its craters, peaks, and valleys, at a distance considerably greater than typical telephoto lenses can provide. Forget telescopes; imagine being able to watch the International Space Station in flight, including its outer rings, using a Nikon camera. As Nikon’s most extreme zoom lens, the COOLPIX P1000 is a game-changer for birders, sports and wildlife lovers, travel photography aficionados and even those who dream of traveling as far as the moon and beyond without ever leaving their garden.

Zoom to the Moon…and Beyond

Is the Nikon P1000 discontinued?

At this point, it’s difficult to figure out what Nikon is up to. The Nikon Coolpix P1000 cameras have been out of stock for months now at many retailers but Gray market versions are in stock if you look carefully enough.

Is Nikon P1000 a DSLR camera?

Yes is teh simple answer, the Model: CoolPix P1000 20.8MP DSLR Camera

What type of camera is CoolPix P1000?

Point & Shoot

How good is P1000?

This is an expensive camera, and we would expect it to provide high-quality images at that price point. It has a completely articulating LCD display, a solid grip, and great resolution 4K footage, although it does not have the best lens stabilization at maximum zoom.

Is Coolpix P1000 waterproof?

The Nikon Coolpix P1000 does not feature Weather Sealing, unfortunately.

How old is the Nikon P1000?

As mentioned above in the introduction it was released on September 6, 2018.

Is Nikon P1000 good for landscape photography?

The Nikon P1000 is a poor choice for landscape photography due to its low resolution.

Is CoolPix P1000 mirrorless?

Yes the Nikon Coolpix P1000 is mirrorless

Is the P1000 full frame?

There isn’t a Full Frame sensor in the Nikon Coolpix P1000!

Does Nikon P1000 shoot raw?

The lens is king on the P1000. The sensor’s small size is evident in the camera’s low ISO sensitivity range of 100-6,400, however raw images may be captured. At 30 frames per second, 4K footage is also accessible.

Is the P1000 the most powerful Nikon Camera?

The COOLPIX P1000, Nikon’s most extreme zoom ever. Equipped with an optical zoom lens capable of a 3000x magnification, 4K UHD video recording, and RAW photo capturing

How much does the CoolPix P1000 weight?

Approx. 1415 g (3 lb 2 oz) (including battery and memory card)

How far can Nikon P1000 zoom?

A 125x optical zoom on the Nikon P1000 means it can zoom in on things that are practically miles away, depending on where you are standing. The 125x lens has a focal range of 24mm to 3000mm in camera terminology.

Does the Nikon P1000 have GPS?

Unfortunately this camera does not have GPS!

Does Nikon P1000 have VR?

With a 17-element, 12-group lens, the Nikon P1000 sports a 24-3,000mm ED VR lens.

Buy the Nikon Coolpix P1000 on Amazon now
Nikon Coolpix P1000 Front.jpg

Coolpix P1000 Specification

Effective pixels
Effective pixels16.0 million
(Image processing may reduce the number of effective pixels.)
Image sensor
Image sensor1/2.3-in. type CMOS
Total pixels: approx. 16.79 million
Lens
LensNIKKOR lens with 125x optical zoom
Focal length4.3-539 mm (angle of view equivalent to that of 24-3000 mm lens in 35mm [135] format)
f/-numberf/ 2.8-8
Construction17 elements in 12 groups (5 ED lens elements and 1 super ED lens element)
Digital zoom magnification
Digital zoom magnificationUp to 4x (angle of view equivalent to that of approx. 12000 mm lens in 35mm [135] format)
Up to 3.6x when recording movies with 2160/30p (4K UHD) or 2160/25p (4K UHD)
Vibration reduction
Vibration reductionLens shift (still images)
Combination of lens shift and electronic VR (movies)
Autofocus (AF)
AutofocusContrast-detect AF
Focus range[W]: Approx. 30 cm (1 ft)-∞
[T]: Approx. 7.0 m (23 ft)-∞
Macro close-up mode: Approx. 1 cm (0.4 in.)-∞ (wide-angle position), Approx. 7.0 m (23 ft)-∞ (telephoto position)
(All distances measured from center of front surface of lens)
Focus-area selectionTarget finding AF, face priority, manual (spot), manual (normal), manual (wide), subject tracking
Viewfinder
ViewfinderElectronic viewfinder, 1 cm (0.39-in.), approx. 2359k-dot OLED with the diopter adjustment function (-3- +3 m-1)
Frame coverage (shooting mode)Approx. 99% horizontal and vertical (compared to actual picture)
Frame coverage (playback mode)Approx. 100% horizontal and vertical (compared to actual picture)
Monitor
Monitor8.1 cm ( 3.2 -in.), approx. 921k-dot (RGB) wide viewing angle TFT LCD with anti-reflection coating and 5-level brightness adjustment, vari-angle TFT LCD
Frame coverage (shooting mode)Approx. 99% horizontal and vertical (compared to actual picture)
Frame coverage (playback mode)Approx. 100% horizontal and vertical (compared to actual picture)
Storage
MediaSD , SDHC , SDXC
File systemDCF and Exif 2.31 compliant
File formatsStill images: JPEG, RAW (NRW) (Nikon’s own format)
Movies: MP4 (Video: H.264/MPEG-4 AVC, Audio: AAC stereo)
Image size (pixels)
Still images16 M 4608×34568 M 3264×24484 M 2272×17042 M 1600×120016:9 12 M 4608×25923:2 14 M 4608×30721:1 12 M 3456×3456
Movies2160/30p (4K UHD)2160/25p (4K UHD)1080/30p1080/25p1080/60p1080/50p720/30p720/25p720/60p720/50pHS 480/4xHS 720/2xHS 1080/0.5x
Exposure
ISO sensitivity (Standard output sensitivity)ISO 100* to 1600
* The lowest ISO sensitivity in Movie manual mode is ISO 125.
ISO 3200, 6400 (available when using P, S, A, M, or Movie manual mode)
Metering modeMatrix, center-weighted, spot
Exposure controlProgrammed auto exposure with flexible program, shutter-priority auto, aperture-priority auto, manual, exposure bracketing, exposure compensation (–2.0- +2.0 EV in steps of 1/3 EV)
Shutter
ShutterMechanical and CMOS electronic shutter
Shutter speed1/4000*-1 s
1/4000*-30 s (when ISO sensitivity is 100 in M mode)* At wide-angle position, with largest f-number setting (smallest aperture)Bulb and Time setting (can be set when ISO sensitivity is 100 in M mode): Up to 60 seconds
1/8000-1/30 s (when recording movies)Flash sync speedSynchronizes with all shutter speedsSelf-timerCan be selected from 10 s and 3 sApertureTypeElectronically-controlled 7-blade iris diaphragmRange10 steps of 1/3 EV (W) (A, M mode)FlashRange of built-in flash (approx.) (ISO sensitivity: Auto)		[W]: Approx. 0.3-12 m (12 in.-41 ft)
Approx. 5.0–8.0 m (17–26 ft) (focal length equivalent to that of 2000 mm lens in 35mm [135] format)
When focal length is equivalent to that of 3000 mm lens in 35mm [135] format: Approx. 7.0-8.2 m (23-26 ft) (ISO sensitivity: 3200), Approx. 7.0-11 m (23-38 ft) (ISO sensitivity: 6400)
Flash controlTTL auto flash with monitor preflashes
Flash exposure compensationIn steps of 1/3 EV in the range between –2 and +2 EV
Accessory shoe
Accessory shoeISO 518 hot-shoe with sync and data contacts and safety lock
Interface
USB connectorMicro-USB connector (Do not use any USB cable other than the included UC-E21 USB Cable.), Hi-Speed USB
Supports Direct Print (PictBridge)
HDMI output connectorHDMI micro connector (Type D)
External microphone connectorStereo mini-pin jack (3.5 mm diameter; plug-in power supported)
Accessory terminalCompatible with the following accessories (available separately): MC-DC2 Remote Cord
WR-R10/WR-1 Wireless Remote Controller
Wi-Fi (Wireless LAN)
StandardsIEEE 802.11b/g (standard wireless LAN protocol)
Operating frequency2412-2462 MHz (1-11 channels)
Maximum output power9.2 dBm (EIRP)
AuthenticationOpen system, WPA2-PSK
Bluetooth
Communication protocolsBluetooth Specification Version 4.1
Operating frequencyBluetooth: 2402-2480 MHz
Bluetooth Low Energy: 2402-2480 MHz
Power sources
Power sourcesOne EN-EL20a Rechargeable Li-ion Battery (included)
EH-5b/EH-5c AC Adapter; requires EP-5C Power Connector (available separately)
Charging timeApprox. 3 h (when using EH-73P/EH-73PCH Charging AC Adapter and when no charge remains)
Battery life*1
Still ImagesApprox. 250 shots when using EN-EL20a
Battery life of movie recording (actual battery life for recording)*2Approx. 1 h 20 min when using EN-EL20a
Tripod socket
Tripod socket1/4 (ISO 1222)
Dimensions / weight
Dimensions (WxHxD)Approx. 146.3 x 118.8 x 181.3 mm (5.8 x 4.7 x 7.2 in.)
(excluding projections)
WeightApprox. 1415 g (3 lb 2 oz) (including battery and memory card)Operating environmentTemperature0°C-40°C (32°F-104°F)Humidity85% or less (no condensation)Supplied accessoriesSupplied accessoriesStrap, LC-77 Lens Cap, EN-EL20a Rechargeable Li-ion Battery, EH-73P Charging AC Adapter *3 *4 , UC-E21 USB Cable, HB-CP1 Bayonet Lens Hood
  • *1 Battery life does not reflect the use of SnapBridge and may vary with the conditions of use, including temperature, the interval between shots, and the length of time that menus and images are displayed.
  • *2 Individual movie files cannot exceed 29 minutes in length, even when there is sufficient free space on the memory card for longer recording. The maximum file size for individual movie files is 4 GB. When recording a movie longer than approximately six minutes at an image size/frame rate of 2160/30p (4K UHD) or longer than approximately seven minutes at an image size/frame rate of 2160/25p (4K UHD), multiple files are created when the file size of the recorded movie exceeds 4 GB, and the files cannot be played back continuously. Recording may end before this limit is reached if camera temperature becomes elevated.
  • *3 A plug adapter is attached depending on the country or region of purchase. The shape of the plug adapter varies with the country or region of purchase.
  • *4 The EH-73PCH Charging AC Adapter may be included instead of the EH-73P, depending on the country or region where you purchased the camera.

Nikon will not be held liable for any errors these specifications may contain. The appearance of this product and its specifications are subject to change without notice.

What’s the Best Digital Cameras with Flip Screens?

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Digital Cameras
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0
Flip Screen
OLYMPUS DIGITAL CAMERA

Digital Cameras with flip screens for everyday use and Vlogging!

Flip Screen
Flip Screen

Looking at digital cameras with flip screens across multiple websites to give you our opinion based on a consensus , so here goes…

There are many brands out their that offer you a digital cameras with a flip screens, what it all comes down to really is brand and price. If you have dollars to spends then of course you’ll opt for the known brands out there like Canon Nikon, Panasonic and Sony but if your pockets are not deep then you’ll need to opt for unrecognizable brands that typically are being made in Asia such as AiTechny, Cedita, Kebulbo, Lecran, Lincom, Sunleo,or Weton but for today we are focusing on those everyone can recognise.

Digital Camera Brands with Flip Screens

Lets do this in Alphabetical order so we are not showing favoritism or preference, you choose which camera is best for your own personal or professional needs.

Canon Digital Cameras with Flip Screens

Canon EOS R5

The EOS R5 is Canon’s first camera to provide 8K video recording, a first for the company. The EOS R5 is the pinnacle of Canon’s full-frame mirrorless series, with an all-new Animal Detection AF system and strong in-body image stabilization that can achieve 8 stops of stabilization for stunning photos and video.

  • Approx. 45MP full-frame CMOS sensor
  • Up to 8-stop In-Body Image Stabilizer X Optical Image Stabilizer
  • Up to 20 FPS + Animal Detection AF
  • 8K DCI movie + 4K DCI 120 fps video recording capability
digital cameras with flip screens
Canon EOS R5 Front
digital cameras with flip screens
Canon EOS R5 Rear

Canon EOS R5 Conclusion

In conclusion, the Canon EOS R5 is a great camera for anyone looking to be a professional photographer. It provides excellent picture quality and has plenty of ways to expand the camera’s capabilities. It is an excellent camera for professionals who are looking to grow their photography business. The R5 offers the best quality pictures of any digital SLR on the market today, and can be customized with accessories, lenses, and other photo equipment to meet all of your needs.

For Canon EOS R5 Specifications check out the previous Blog post link here

Buy the Canon EAO R5 on Amazon – Click Here

Canon EOS 70D

Canon proudly announced back in 2013 the EOS 70D, a pioneering powerhouse sporting a groundbreaking autofocus technology that unleashes the potential of Live View: Dual Pixel CMOS AF. The EOS 70D now captures video in Live View with smooth and accurate focusing, akin to a camcorder, with EOS picture quality. Dual Pixel CMOS AF also enables quick and precise focusing during Live View still picture shooting, allowing you to fully use the 3.0-inch Vari-angle Touch Screen.

Clear View LCD II With Live View and viewfinder shooting settings, compositional opportunities are practically unlimited. Canon engineers spent months making sure the EOS 70D’s cutting-edge Dual Pixel CMOS AF is compatible with over 103 Canon EF lenses, substantially extending creative possibilities. Built-in wifi and the Camera Connect app* make sharing and transferring photos even easier. The EOS 70D’s 20.2 Megapixel CMOS (APS-C) sensor produces stunning images, a first for an EOS camera.

digital cameras with flip screens
Canon EOS 70D Front
digital cameras with flip screens
Canon EOS 70D Rear

Canon EOS 70D Conclusion

In conclusion, the Canon EOS 70D is a great camera for those who want to take professional photos and videos.

  • The 70D has a touchscreen and can use other lenses.
  • The Canon EOS 70D has a new dock and other improvements.
  • The camera is equipped with WiFi, GPS, Bluetooth, NFC, touch screen control, 18MP CMOS sensor, 45 point autofocus system, HD video capability, USB3.

For Canon EOS 70D Specifications check out the previous Blog post link here

Buy the Canon EOS 70D on Amazon – Click Here

Nikon Digital Cameras with Flip Screens

Nikon D5600

Nikon’s newest DSLR, the D5600 is aimed at beginners and those wanting to do more than just point and shoot. With a 24.2-megapixel sensor and an EXPEED 4 processor, the camera has a versatile set of features that are easy to use for all skill levels. Whether you are looking for an entry level camera or want something that can handle more challenging situations with ease, this camera is worth checking out.

The Nikon D5600 is a compact DSLR camera that offers easy to use features and a solid range of functions for both amateurs and more experienced photographers alike. It doesn’t have the bells and whistles of higher-priced models, but it is a great introductory camera for those just starting out or those looking for a simple, easy to use model.

The body design makes it fairly light and comfortable to hold for extended periods, as well as small enough to be used in tight places such as on trips where space isn’t always available.

digital cameras with flip screens
Nikon D5600 Front
digital cameras with flip screens
Nikon D5600 Rear

Conclusion on the Nikon D5600

In conclusion, the Nikon D5600 is an excellent camera for beginners looking to take their photography skills to the next level. The camera has many features that make it easy to use for those who are new to photography or who are looking for more advanced features that may be found on other cameras.

The D5600 is an excellent camera for beginners, as it lets them explore and learn more about photography without having too much at once.

For Nikon D5600 Specifications check out the previous Blog post link here

Nikon Z6

With the Z 6, you’ll be able to take your photography to new heights. The Z 6 raises the bar for color, clarity, and sharpness with its bigger mount diameter, full-frame CMOS sensor, updated image processing engine, and slew of new features.

You’ll be up close with optical accuracy thanks to an EVF that’s been meticulously designed and cinema-ready 4K UHD recording capabilities.

The Z 6’s raw video capability allows you to display your filmmaking. RAW films provide for the most accurate color grading and HDR post-production from a large amount of data.

It can record raw 12-bit 4K UHD video in full-frame utilizing full-pixel readout comparable to 6K, with low-latency, for a range of applications using an external recorder.

Nikon Z6 Conclusion

For Nikon Z6 Specifications check out the previous Blog post link here

Buy the Nikon Z6 on Amazon – Click Here

Panasonic Digital Cameras with Flip Screens

Panasonic Lumix GH5

A 20.3 megapixel Digital Live MOS sensor and Venus Engine make the LUMIX GH5 one of the most powerful cameras on the market today.

With the low-pass filter removed from the sensor, the sharpest ever images with great dynamic range and artefact free may be captured with confidence. Created by you, and built by Panasonic, the LUMIX GH5 is a work of art.

Multiple recording modes are available on the LUMIX GH5 for use in film, television, and other professional applications.

All-Intra 400Mbps C4K 24p and C4K 24p 4:2:2 10-bit ALL-Intra 400Mbps are also available.

With an optional HDMI full size TypeA connection, the LUMIX GH5 can transmit real-time images in 4:2:2 10-bit resolution to an external display or recorder, while still recording in the same resolution inside.

For professional video productions requiring precise visual monitoring or high-quality recording to external codec devices, this codec is an excellent choice.

Panasonic Lumix GH5
Panasonic Lumix GH5 Front
Panasonic Lumix GH5 Rear digital cameras with flip screens
Panasonic Lumix GH5 Rear

Panasonic Lumix GH5 Conclusion

In conclusion, this article has offered vital information about the Panasonic Lumix GH5. From its features to its price, it is clear that this camera is worth considering if you’re in the market for a new one.

For Lumix GH5 Specifications check out the previous Blog post link here

Buy the Panasonic Lumix GH5 on Amazon – Click Here

Panasonic Lumix S5

The Panasonic Lumix S5 is a sleek and stylish digital camera. It has a 16 megapixel sensor, a 3 inch LCD display, and an incredibly fast autofocus that will capture your favorite moments in a flash. This camera is about more than just taking great shots though. There are tons of scene modes to choose from such as “Sports,” “Sunset,” or “Expert,” each designed with the photographer’s specific needs in mind.

You can bring your creative ideas to life with exceptional 4K 60p, 10-bit video, FHD 180fps Slow Motion, 4:3 Anamorphic compatibility, as well as other advanced features.

Content may be captured in stunning high quality thanks to the 96MP High Resolution mode, Dual Native ISO to reduce noise while shooting at high sensitivity, and V-Log/V-Gamut with a 14-stop dynamic range, among other features.

  • Panasonic LUMIX S5 Full Frame Mirrorless Camera
  • 4K 60P Video Recording with Flip Screen & WiFi
  • LUMIX S 20-60mm F3.5-5.6 Lens
  • L-Mount, 5-Axis Dual I.S
  • DC-S5KK
Panasonic Lumix S5 1
Lumix S5 Front
digital cameras with flip screens
Lumix S5 Rear

Lumix S5 in Conclusion

In conclusion, the Panasonic Lumix S5 is a state-of-the-art camera that offers quality and performance in spades. At its current price point below USD2k it is an outstanding purchase.

It’s easy to see why the Panasonic Lumix S5 is such a popular camera. It has a sleek design with a high-quality aluminum frame and comes in a variety of colors. As far as features, the Panasonic Lumix S5 does not disappoint.

For Lumix S5 Specifications check out the previous Blog post link here

Buy the Lumix S5 on Amazon – Click Here

Sony Digital Cameras with Flip Screens

Sony a7 III

Sony is one of the most well-known brands in the field of cameras and camera equipment. The 7 III from Sony is poised to capture the peaks of more critical moments with its newly designed back-illuminated full-frame CMOS sensor and other superior image improvements, high-speed reaction, simplicity of use and solid durability for diverse shooting demands.

The Sony a7 III Full-Frame Mirrorless Interchangeable-Lens Camera with 3-Inch LCD is proof of that. This camera has an impressive 24MP sensor that captures fantastic photos, which are then transferred via 4K HDMI to your TV or video monitor. The touchscreen can be flipped around for easy use when shooting selfies with the 180 degree articulating screen.

24.2MP BSI full frame sensor with 1.8X readout speed, 15 stop dynamic range, 14 bit uncompressed RAW, ISO 50 to 204,800. 14-bit RAW.

Sony E-mount lenses may be used with this adapter.

Bluetooth is compatible with Android (Android 5.0 or later, Bluetooth 4.0 or later) and iOS (iOS Bluetooth 4.0 or later) devices.

Silent or mechanical shutter with AE/AF tracking at up to 10 frames per second.

For still images, the battery lasts for around 710 pictures, while for movies, the battery lasts for approximately 200 minutes (LCD monitor)

Sony A7 III
Sony A7 III Front
Sony A7 III Rear
Sony A7 III Rear

Sony A7 III in Conclusion

In conclusion, the Sony A7 III is not just a camera that fits into your palm, but it’s an excellent full-frame camera that does everything you need it to – and then some.

Sony has done well with the A7 III. It’s powerful, versatile, and perfect for any photographer starting out.

For Sony A7 III Specifications check out the previous Blog post link here

Buy the Sony A7 III on Amazon – Click Here

Sony a5100

In September 2014, Sony A5100 was made accessible to the public and is an excellent camera for new photographers and experienced photographers alike. It has a 24.3MP APS-C sensor, which captures shots with precision and clarity, and has interchangeable lenses to get the perfect shot every time. It also has a tilting touchscreen so you can easily change the angle of your shot even while shooting.

The a5100, is a perfect and cheap upgrade from a more traditional point and shoot camera. It has features such as live streaming capabilities to Facebook, an HD touch screen LCD monitor for viewing pictures and videos, and it can take photographs with manual focus control.

  • Ultra-fast auto focus with 179 AF points and 6Fps
  • Capture life in high resolution with 24MP APS-C sensor
  • Instant sharing via smartphone with Wi-Fi and NFC1
  • Record Full HD 1080/24/60P video3 up to 50MB/s
digital cameras with flip screens
Sony A5100 Front
digital cameras with flip screens
Sony A5100 Top

Sony a5100 Conclusion

In conclusion, the Sony a5100 is the perfect camera for the pro beginner to intermediate photographer. The features and capabilities offered by this device will help you take great photos, and with its compact size, it’s perfect for travel and everyday use.

For Sony a5100 Specifications check out the previous Blog post link here

Buy the Sony a5100 on Amazon – Click Here

That Concludes this range of digital cameras with flip screens, we hope you enjoyed the selection, for our next post we will be creating a blog post overing the cheaper digital cameras with flip screens.

Nikon D500 DX-Format Digital SLR

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Digital Cameras
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0
Nikon D500 DX-Format Digital SLR
Nikon D500 DX-Format Digital SLR

About this item

  • 20.9MP DX format CMOS sensor. Viewfinder: Eye level pentaprism single lens reflex viewfinder
  • Expeed 5 image processor; Monitor size: 3.2 inches diagonal
  • 3.2 inches 2,539k dot tilting touchscreen LCD
  • 4k UHD video recording at 30 fps
  • Multi cam 20k 153 point AF system
  • Native ISO 51200, extend to ISO 1640000
  • 10 fps shooting for up to 200 frames
  • Built in wi-Fi, Bluetooth and nfc
  • 180k pixel rgb sensor and group area af
  • In camera time lapse, up to 9999 frames. Supplied with: En el15 rechargeable li ion battery, mh 25a battery charger, usb cable clip, hdmi cable clip, dk 17 eyepiece, uc e22 USB cable, an dc17 strap, bf 1b body cap, user’s manual

The Nikon D500 is the company’s latest DX flagship camera. At first sight, it may appear to be a small and unassuming camera body, yet it conceals a real powerhouse of processing power and technical advancements. The D500 is ready to accompany you wherever your passion takes you, capturing everything with remarkable clarity, speed, and resolution along the way. When it comes to photographing anything from crowded, low-light cityscapes to thrilling wildlife scenes and quick action pictures, the Nikon D500 is the ideal companion for your travels.

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Its 4K UHD footage is very clear, and it looks like a movie. Prepare to be astonished by its toughness and adaptability. And, once you’ve shot your stunning images, you can view them on the D500’s high-resolution tilt touchscreen display before sharing them with others via the camera’s built-in SnapBridge (Wi-Fi® and Bluetooth) features. Whatever you choose to photograph, you can be confident that the D500 will perform admirably time and time again.

The D500 is a slim and elegant camera that can be taken anywhere and yet deliver amazing quality and performance. Because of the DX sensor’s ability to pack a lot of power into a tiny camera body, you can take advantage of the smaller and lighter DX lenses available in the NIKKOR line—and while you’re traveling, every ounce of weight saves you money. Most importantly, there is no need to sacrifice image quality in order to achieve portability. With its 20.9 megapixel CMOS sensor, the D500 achieves the ideal balance between resolution and image quality, and it is ready to capture the fine details, colors, and textures that the world has to offer. It will be ready to go, effortless and inconspicuous, whether you’re trekking through the beautiful landscapes of New Zealand or on safari in Africa with the D500 at your side.

NIKKOR lenses

The D500, like every other Nikon DSLR, performs best when used in conjunction with famous NIKKOR lenses, which provide unrivaled clarity and versatility. A reason why more than 95 million NIKKOR lenses have been sold to date is because of the legendary NIKKOR history. Your memories will be captured from a different perspective with each lens you choose. Are you photographing landscapes or portraits? The quick AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens from Nikon might become your closest buddy in the field. Alternatively, the lightweight AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II, which is perfect for photographing sports, parades, and distant buildings, can expand your range. Whatever combination you choose, the Nikon D500 and world-class NIKKOR lenses are a surefire formula for photographic success.

Light to Dark

There’s a lot more to see than you think.
Is there not enough light to go around? The D500 makes the most of every ray of sunlight that strikes it, allowing you to capture high-quality photos even in low-light settings. With a native ISO range of 100 – 51,200, which is extendable to Lo 1 and Hi 5 (equivalent to 50 – 1,640,000), the D500 is not frightened by challenging low-light circumstances, even while shooting at a lower shutter speed. Exquisite details emerge from the shadows, resulting in images of unparalleled quality that can only be achieved by using Nikon cameras and lenses.

Nikon D500 Specifications

Type
Single-lens reflex digital camera
Lens mount
Nikon F mount, (with AF coupling and AF contacts)
Effective angle of view
Nikon DX format; focal length in 35 mm [135] format equivalent to approx. 1.5x that of lenses with FX format angle of view
Image sensor format
DX
Image sensor type
CMOS
Sensor size
23.5mm, x15.7mm
Total pixels
21.51million
Dust-reduction system
Image sensor cleaning, Image Dust Off reference data (Capture NX-D software required)
Effective pixels
20.9million
Image size (pixels)
DX (24x16) image area, (L)5568, x3712, (M)4176, x2784, (S)2784, x1856, 1.3x (18x12) image area, (L)4272, x2848, (M)3200, x2136, (S)2128, x1424, Photographs with image area of DX taken during movie recording, (L)5568, x3128, (M)4176, x2344, (S)2784, x1560, Photographs with image area of 1.3x taken during movie recording, (L)4272, x2400, (M)3200, x1800, (S)2128, x1192, Photographs taken during movie recording at a frame size of 3840 x 2160: 3840 x 2160
File format
NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression), TIFF (RGB), JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; optimal quality compression available, NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control system
Standard, Neutral, Vivid, Monochrome, Portrait, Landscape, Flat, selected Picture Control can be modified; storage for custom Picture Controls
Media
XQD, SD, SDHC (UHS-II compliant), SDXC (UHS-II compliant)
Card slot
1 XQD card and 1 Secure Digital (SD) card, Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards.
File system
DCF 2.0, Exif 2.3, PictBridge
Viewfinder
Eye-level pentaprism single-lens reflex viewfinder
Frame coverage
DX (24x16) image area: Approx. 100% horizontal and 100% vertical, 1.3x (18x12) image area: Approx. 98% horizontal and 98% vertical
Magnification
Approx. 1.0 x (50 mm f/1.4 lens at infinity, –1.0 m{sup(-1)})
Eyepoint
16mm (–1.0 m{sup(-1)}; from center surface of viewfinder eyepiece lens)
Diopter adjustment
-2 to +1 m{sup(-1)}
Focusing screen
Type B BriteView Clear Matte Mark II screen with AF area brackets (framing grid can be displayed)
Reflex mirror
Quick-return type
Depth-of-field preview
Yes, Pressing Pv button stops lens aperture down to value selected by user (A and M modes) or by camera (P and S modes)
Lens aperture
Instant return, electronically controlled
Compatible lenses
Compatible with AF NIKKOR lenses, including type G, E, and D lenses (some restrictions apply to PC lenses), and DX lenses, AI-P NIKKOR lenses, and non-CPU AI lenses (exposure modes A and M only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses can not be used. The electronic rangefinder can be used with lenses that have a maximum aperture of f/5.6 or faster (the electronic rangefinder supports 15 focus points with lenses that have a maximum aperture of f/8 or faster, of which 9 points are available for selection).
Type
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter available in mirror up release mode
Speed
1/8000to, 30s, in steps of 1/3, 1/2, or 1 EV, bulb, time, X250
Flash sync speed
X=, 1/250s;, synchronizes with shutter at 1/250 s or slower
Modes
S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), Self-timer, MUP (mirror up), Qc (quiet continuous shutter-release)
Approximate frame advance rate
10fps, CL: 1 to 9 fps CH: 10 fps QC: 3 fps
Self-timer
2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2, or 3 s
Metering system
TTL exposure metering using RGB sensor with approximately 180K (180,000) pixels
Metering method
Matrix: 3D color matrix metering III (type G, E, and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 8 mm circle in center of frame. Diameter of circle can be changed to 6, 10, or 13 mm, or weighting can be based on average of entire frame (non-CPU lenses use 8-mm circle) Spot: Meters 3.5 mm circle (about 2.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) Highlight-weighted: Available with type G, E, and D lenses
Range
(ISO 100, f/1.4 lens, 20 °C/68 °F) Matrix or center-weighted metering: –3 to +20 EV Spot metering: 2 to 20 EV Highlight-weighted metering: 0 to 20 EV
Mode
Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M)
Exposure compensation
–5 to +5EV, in steps of1/3, 1/2, or 1EV
Exposure lock
Luminosity locked at detected value
ISO sensitivity (Recommended Exposure Index)
ISO100to, 51200, in steps of1/3, 1/2, or 1EV, Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, 2, 3, 4, or 5 EV (ISO 1640000 equivalent) above ISO 51200; auto ISO sensitivity control available
Active D-Lighting
Can be selected from Auto, Extra high, High, Normal, Low, or Off
Autofocus system
Multi-CAM 20K autofocus sensor module with TTL phase detection, fine-tuning, and 153 focus points (including 99 cross-type sensors and 15 sensors that support f/8), of which 55 (35 cross-type sensors and 9 f/8 sensors) are available for selection
Detection range
–4 to +20 EV (ISO 100, 20 °C/68 °F)
Lens servo
Single-servo AF (AF-S), Continuous-servo AF (AF-C), predictive focus tracking automatically activated according to subject status, Manual focus (M):, Electronic rangefinder can be used
Focus point
153, 153 focus points, of which 55 or 15 are available for selection
AF-area mode
Single-point AF, 25-, 72-, or 153- point dynamic-area AF, 3D-tracking, group-area AF, auto-area AF
Focus lock
Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing the center of the sub-selector
Control
TTL: i-TTL flash control using RGB sensor with approximately 180K (180,000) pixels; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering
Mode
Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off, Auto FP High-Speed Sync supported
Flash compensation
-3 to +1 EV in steps of 1/3, 1/2 or 1 EV
Flash-ready indicator
Lights when optional flash unit is fully charged; flashes after flash is fired at full output
Accessory shoe
ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS)
i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, AF-assist for multi-area AF, unified flash control
Sync terminal
ISO 519 sync terminal with locking thread
White balance
Auto (3 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 6 values can be stored, spot white balance measurement available during live view), choose color temperature (2500 K to 10000 K), all with fine-tuning.
Bracketing types
Exposure, Flash, White balance, ADL
Modes
Photo live view, Movie live view
Lens servo
Autofocus (AF): Single-servo AF (AF-S); full-time-servo AF (AF-F) Manual focus (M)
AF-area mode
Face-priority AF, Wide-area AF, Normal-area AF, Subject-tracking AF
Autofocus
Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)
Metering
TTL exposure metering using main image sensor
Metering method
Matrix, center-weighted, or highlight-weighted
Frame size (pixels) and frame rate
3840 x 2160 (4K UHD); 30p (progressive), 25p, 24p 1920 x 1080; 60p, 50p, 30p, 25p, 24p 1280 x 720; 60p, 50p Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively; (Fine) high quality available at all frame sizes, normal quality available at all sizes except 3840 x 2160
File format
MOV
Video compression
H.264/MPEG-4 Advanced Video Coding
Audio recording format
Linear PCM
Audio recording device
Built-in stereo or external microphone; sensitivity adjustable
ISO sensitivity
Exposure modes P, S, and A: Auto ISO sensitivity control (ISO 100 to Hi 5) with selectable upper limit Exposure mode M: Auto ISO sensitivity control (ISO 100 to Hi 5) available with selectable upper limit; manual selection (ISO 100 to 51200 in steps of 1/3, 1/2, or 1 EV) with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, 2, 3, 4, or 5 EV (ISO 1640000 equivalent) above ISO 51200

Active D-Lighting
Can be selected from Extra high, High, Normal, Low, or Off
Other options
Index marking, time-lapse movies, electronic vibration reduction
Monitor size
8cm (3.2–in.) diagonal
Monitor resolution

Approx.2359k-dot, tilting TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage, and manual monitor brightness control
Playback

Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, location data display, auto image rotation, picture rating, and IPTC information embedding and display
USB connector

SuperSpeed USB (USB 3.0 Micro-B connector), connection to built-in USB port is recommended
HDMI output connector
Type C HDMI connector
Audio input
Stereo mini-pin jack (3.5mm diameter; plug-in power supported)
Audio output
Stereo mini-pin jack (3.5mm diameter)
Ten-pin remote terminal
Can be used to connect optional remote control, WR-R10 (requires WR-A10 adapter) or WR-1 wireless remote controller, GP-1/GP-1A GPS unit, or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires MC-35 GPS adapter cord and cable with D-sub 9-pin connector)
Standards
IEEE 802.11b, IEEE 802.11g
Security
Authentication: Open system, WPA2-PSK
Operation
NFC Forum Type 3 Tag
Communication protocols
Bluetooth Specification Version 4.1
Supported languages
Arabic, Bengali, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian, Persian, Polish, Portuguese (Portugal and Brazil), Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, Vietnamese
Battery
One rechargeable Li-ion EN-EL15 battery
Battery pack
Optional MB-D17 multi-power battery pack with one rechargeable Nikon EN-EL18a or EN-EL18 Li-ion battery (available separately), one rechargeable Nikon EN-EL15 Li-ion battery, or eight AA alkaline, Ni-MH, or lithium batteries. A BL-5 battery-chamber cover is required when using EN-EL18a or EN-EL18 batteries.
AC adapter
EH-5b AC adapter; requires EP-5B power connector (available separately)
Tripod socket
1/4–in. (ISO 1222)
Dimensions (W x H x D)
Approx.147, x115, x81mm (5.8, x4.6, x3.2in.)
Weight
Approx.860g (1 lb. 14.4 oz.), with battery and XQD memory card but without body cap; approx. 760 g/1 lb. 10.9 oz. (camera body only)
Operating environment
Temperature: 0 °C to 40 °C (+32 °F to 104 °F) Humidity: 85% or less (no condensation)
Supplied accessories
Body Cap BF-1B, Rechargeable Li-ion Battery EN-EL15 with terminal cover, Battery Charger MH-25a (comes with either an AC wall adapter or power cable of a type and shape that varies with the country or region of sale), USB Cable Clip, HDMI Cable Clip, USB Cable UC-E22, Strap AN-DC17
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